Marin Independent Journal

Newsom plans big perk for Hollywood if lawmakers agree

- By Laurel Rosenhall

Movie studios would be eligible for a long-sought perk under Gov. Gavin Newsom's proposal to let them convert a portion of their state tax credits into cash payments, essentiall­y creating a government subsidy for Hollywood that California doesn't offer to any other industry.

If Newsom's plan is passed by the Legislatur­e and signed into law, California's film tax credit program would become “refundable” in 2025 meaning that on top of giving qualifying film and TV production­s credits that wipe out their state tax liability, the state also would give them payments totaling tens of millions of dollars a year.

The boost would help bring more film production­s to California amid competitio­n from other states, the Newsom administra­tion argues. And it's structured to incentiviz­e Hollywood to increase the diversity of its workforce a goal of the Democrat-dominated Legislatur­e, which is itself more diverse than ever before.

But the proposal is facing pushback from lawmakers frustrated by what they see as Hollywood's insufficie­nt progress in hiring women and people of color since the state increased the film tax credit two years ago for constructi­on of new soundstage­s. Those incentives were designed to encourage the hiring of workers who reflect the race and gender makeup of the state.

Tension also is rising as lawmakers work to close a $22.5-billion budget deficit that could result in cuts to spending on public transit and clean energy, as well as delays in funding day care for 20,000 children.

“We can't go back to our constituen­ts and tell them why we put money in your pockets,” Assemblyma­n Phil Ting, a San Francisco Democrat who chairs the budget committee, said to film commission representa­tives during a hearing this week in the Capitol in which he chastised them for not being prepared to present diversity data.

“We have to tell the child-care people, `Hey, sorry, we couldn't give you money for child care because we gave money to movie studios.'”

Newsom's plan, spelled out in his January budget proposal, would extend California's film tax credit for five more years, until 2030, and allocate $330 million per year for the credits and refunds. If production­s qualified for a tax credit larger than their tax liability, they could receive a portion of the credit as a refund, which is essentiall­y a cash payment. The governor's plan also would dock tax credits from production­s that do not hit diversity goals.

His approach combines legislativ­e Democrats' interest in pushing for greater diversity in show business with a perk the industry has been seeking for years a refund that allows production­s to get paid by the state in amounts beyond the taxes they owe. Several states offer a refundable film tax credit, and some major studios have such small tax bills in California that they can't use all the credits they're awarded by the state.

“Access to tax credits to offset the cost of production is a primary considerat­ion for where projects will shoot. And they do leave, taking California­ns' jobs and economic opportunit­ies away from California, where they belong,” said Colleen Bell, executive director of the California Film Commission, which is part of Newsom's administra­tion.

Movie studios and their employee unions both testified in favor of Newsom's plan. Their support should give it considerab­le political muscle in a Legislatur­e where most lawmakers are aligned with organized labor and many enjoy the glamour of associatin­g with California's marquee industry. Hollywood studios, executives and labor unions are reliable campaign donors to many state lawmakers and the California Democratic Party, and spent millions to help Newsom defeat a recall attempt in 2021.

But the politics in this debate could be more complicate­d than they appear.

Still hanging over the Legislatur­e is a standoff over how to ensure greater safety on film sets that began after actor Alec Baldwin shot cinematogr­apher Halyna Hutchins while filming “Rust” in New Mexico. Last year, studios and unions got behind different bills to improve safety but both of them stalled. It's not clear whether the two sides will reach an agreement this year that could be passed into law, but the move to extend a tax break could be a leverage point in negotiatio­ns.

Lawmakers already grappling with a constraine­d budget and the pressure to cut programs also face the possibilit­y that handing a lucrative benefit to Hollywood will lead to other industries asking for similar treatment from the state.

“We don't give the tech industry money in the same way, when we also ask for socially desirable outcomes as well as having a more diverse workforce,” said Assemblyma­n Alex Lee, a San Jose Democrat.

Assemblywo­man Wendy Carrillo, a Los Angeles Democrat, said her push to increase diversity in the entertainm­ent industry is complicate­d by California's ban on affirmativ­e action. But finding lawful ways to incentiviz­e a more inclusive workforce is a top priority in negotiatin­g any extensions to the film tax credit.

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