Marin Independent Journal

ChatGPT-maker braces for fight with New York Times

- By Matt O'Brien

A barrage of high-profile lawsuits in a New York federal court will test the future of ChatGPT and other artificial intelligen­ce products that wouldn't be so eloquent had they not ingested huge troves of copyrighte­d human works.

But are AI chatbots — in this case, widely commercial­ized products made by OpenAI and its business partner Microsoft — breaking copyright and fair competitio­n laws? Profession­al writers and media outlets will face a difficult fight to win that argument in court.

“I would like to be optimistic of behalf of the authors, but I'm not. I just think they have an uphill battle here,” said copyright attorney Ashima Aggarwal, who used to work for academic publishing giant John Wiley & Sons.

One lawsuit comes from The New York Times. Another from a group of wellknown novelists such as John Grisham, Jodi Picoult and George R.R. Martin. A third from bestsellin­g nonfiction writers, including an author of the Pulitzer Prize-winning biography on which the hit movie “Oppenheime­r” was based.

The lawsuits

Each of the lawsuits makes different allegation­s, but they all center on the San Francisco-based company OpenAI “building this product on the back of other peoples' intellectu­al property,” said attorney Justin Nelson, who is representi­ng the nonfiction writers and whose law firm is also representi­ng the Times.

“What OpenAI is saying is that they have a free ride to take anybody else's intellectu­al property really since the dawn of time, as long as it's been on the internet,” Nelson said.

The Times sued in December, arguing that ChatGPT and Microsoft's Copilot are competing with the same outlets they are trained on and diverting web traffic away from the newspaper and other copyright holders who depend on advertisin­g revenue generated from their content to keep producing their journalism. It also provided evidence of the chatbots spitting out Times articles word-for-word. At other times the chatbots falsely attributed misinforma­tion to the paper in a way it said damaged its reputation.

One senior federal judge is so far presiding over all three cases, as well as a fourth from two more nonfiction authors who filed another lawsuit last week. U.S. District Judge Sidney H. Stein has been at the Manhattan-based court since 1995 when he was nominated by then-President Bill Clinton.

The response

OpenAI and Microsoft haven't yet filed formal counter-arguments on the New York cases, but OpenAI made a public statement this week describing the Times lawsuit as “without merit” and saying that the chatbot's ability to regurgitat­e some articles verbatim was a “rare bug.”

“Training AI models using publicly available internet materials is fair use, as supported by long-standing and widely accepted precedents,” said a Monday blog post from the company. It went on to suggest that the Times “either instructed the model to regurgitat­e or cherry-picked their examples from many attempts.”

OpenAI cited licensing agreements made last year with The Associated Press, the German media company Axel Springer and other organizati­ons as offering a glimpse into how the company is trying to support a healthy news ecosystem. OpenAI is paying an undisclose­d fee to license AP's archive of news stories. The New York Times was engaged in similar talks before deciding to sue.

OpenAI said earlier this year that access to AP's “high-quality, factual text archive” would improve the capabiliti­es of its AI systems. But its blog post this week downplayed the importance of news content for AI training, arguing that large language models learn from an “enormous aggregate of human knowledge” and that “any single data source — including The New York Times — is not significan­t for the model's intended learning.”

 ?? MARK LENNIHAN — THE ASSOCIATED PRESS FILE ?? A sign for The New York Times hangs above the entrance to its building, May 6, 2021 in New York.
MARK LENNIHAN — THE ASSOCIATED PRESS FILE A sign for The New York Times hangs above the entrance to its building, May 6, 2021 in New York.

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