Miami Herald (Sunday)

COMING UP IN MIAMI GALLERIES,

- BY ANNE TSCHIDA

MUST-SEE SHOWS

Nina Johnson Gallery “Judy Chicago: Atmosphere­s:” Nina Johnson recently expanded her Little Haiti complex of buildings and courtyard, painting them bright white like a tiny Grecian village. Right now they house some impressive shows. Upstairs in the back building is a surprising photograph­y exhibit that coincides with the Institute of Contempora­ry Art Miami’s major survey of the ground-breaking feminist artist Judy Chicago. Here at Johnson’s gallery, Chicago’s photo prints from 1968-74 and 2012 on are featured. The installati­ons include dazzling colored puffs of smoke set off in a harsh man-made human environmen­t such as an urban street, or forbidding landscapes such as a desert, in order to “feminize” the atmosphere­s. These images will likely be new to those who otherwise know Chicago’s work. Another building houses a great group show “Of Purism,” a mix of modern masters and contempora­ry art; some are by Miami artists. Chicago will also present a site-specific fireworks performanc­e at the ICA (icamimai.org) on Feb. 23. Exhibit open through March 2 at 6315 NW 2nd Ave; nina johnson.com.

MOCA Nomi “AfriCobra: Messages to the People”

MOCA announces its new face in 2019 with a fabulous spread of works on the 50th anniversar­y of the founding of the black arts movement AfriCobra, which created a a new aesthetic for the art of an emerging African-Amer- ican voice. Founded by five activist artists in Chicago, and later joined by five others, their visual voice complement­ed the Black Power Movement and was meant to add a more nu-

anced and positive image of the black community. The art is political, yes — it was generated as “art for the people” — but also remarkable in its stylizatio­n, unique color palettes and use of materials. In painting, tapestry, collage and couture, these men and women forged a novel artistic look that impacts contempora­ry art today. Through April 7 at 770 NE 125th St.; moconomi.org.

National YoungArts Week Visual Arts

This January week at the HQ of the National YoungArts Foundation on Biscayne Boulevard is the highlight of the YoungArts year, celebratin­g over 160 teen finalists in performing arts, music, literature, film, design and visual arts. This year’s visual arts show, curated by Miami’s own Rosie Gordon-Wallace, includes 41 artists who work in a variety of media, including design, photograph­y, installati­on and painting. The visual arts exhibit opens Friday and runs through Feb. 4 at the YoungArts Gallery and the YoungArts Jewel Box; 2100 Biscayne Boulevard. Other performanc­es in this crammed week include a Friday writers’ reading, also at the Biscayne Boulevard campus. Performanc­es at Miami Beach’s New World Center, 500 17th Street, include classical, jazz and pop vocals on Monday, jazz and theater on Tuesday, dance and screen on Wednesday, and classical music on Thursday, all in the evenings. www.youngarts.org.

Tile Blush gallery “Twilight, Verdant Romps & Wading

Pools”

The large-scale paintings from Miami-based Aramis Gutierrez are sinful, incredibly fleshy indulgence­s, referencin­g Peter Paul Rubens’ forest orgies and those of other masters (who themselves alluded to Roman bacchanali­a festivals.) There are plenty of folds, ample thighs and buttocks on these naked bodies frolicking in a natural settings and painted in deep, rich oil coloring. As a wink, wink, some of the models are friends or acquaintan­ces of the artist. While the works are decidedly lusty, they do not come across as pornograph­ic but instead are an intense, engulfing visual experience of bodies and nature. Tile always includes a design element; in this case clean-lined pieces from Jonathan Gonzalez. Through Jan. 26 at 8375 N.E. 2nd Avenue; tile blush.com.

The Margulies Collection at the Warehouse New Installati­ons

Now that all the internatio­nal Basel shows have come and gone, it’s a good time to appreciate the quality of art that we have right here all year long. Margulies specialize­s in large installati­ons, groupings unveiled every year that are unrivaled the world over. Take in the stellar works for example of Ibrahim Mahama, Peter Buggenhout and Gilles Barbier. The French Barbier is represente­d by a slightly comical but alltoo-real reflection on aging in a staged set titled “L’Hospice,” or old-folks home. But the residents are not known for showing signs of infirmity, as they include Superheroe­s such as Superman, Wonder Woman and Captain America, using walkers or laid up on gurneys, no longer lifting buildings with one hand. Yes, time takes its toll even on the strongest among us. Through April 27 at 591 NW 27th Street; www. marguliesw­arehouse.com.

TALKS

Jan. 10: Art historian A

James Hicks, who works with London’s Tate and Tate Modern museums, among others, shares insights on what it takes for a city to become an art capital. Thursday evening at de la Cruz Collection, 23 NE 41st Street, Design District. Free; RSVP required.delacruzco­llection.org.

Jan. 13: Miami-based, A

Haiti-born artist Edouard Duval-Carrie explores the political, social and historical themes in his work at the Frost-FIU Museum of Art, 3 p.m. RSVP at frost .fiu.edu.

NEW IN TOWN

In the past, Miami has been notoriousl­y tough on galleries, which often struggle to draw in buyers. Three new galleries are hoping to make that old news. Both opened late last year.

For Miami natives

A

Grant Bonnier and Christina Bonnier, their new Bonnier Gallery at 3408 NW 7th Ave. represents both a home-coming and a long-term commitment. After a stint in the Boston area, the couple returned to Miami to start a family. Their Allapattah gallery includes both local artists and internatio­nal ones, thanks to his longstandi­ng connection­s forged through his father, New York art dealer Peder Bonnier. That explains the blue-chip artists whose works appear in the gallery, including Sol Lewitt, Robert Mangold, Donald Judd, Agnes Martin, Robert Ryman, Carl Andre and Christo. In fact, his parents met in 1983 when his father, driving the boat that ferried Christo around the not-yet-surrounded Biscayne Bay islands, saw his mother on a beach. thebonnier­gallery.com

Atchugarry Art Center A

Miami, a combinatio­n gallery and museum space opened by Uruguayan sculptor Pablo Atchugarry and his son Piero. At 5520 NE 4th Avenue. Inaugural presentati­ons (through Feb. 16) include a rare exhibition of five early surrealist paintings by Afro-Cuban artist Wifredo Lam and a retrospect­ive of work by the late Jose Pedro Costigliol­o. Those aren’t for sale — but other works by Latin American artists, including Atchugarry himself, are. atchugarry­artcenter.com.

In the Design District near ICA, Brit Inigo Philbrick has opened a space to complement his London gallery. (The weather can’t compare.) The current show includes works by Bridget Riley, Wade Guyton and Avery Singer. Through February at 112 NE 41st Street, Suite 104. inigophilb­rick.com.

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 ?? Miami ?? “L’Hospice,” an installati­on by Gilles Barbier, is among the new work showcased at Margulies Warehouse.
Miami “L’Hospice,” an installati­on by Gilles Barbier, is among the new work showcased at Margulies Warehouse.
 ?? Miami ?? Photos by Judy Chicago are on display at Nina Johnson Gallery through March 2.
Miami Photos by Judy Chicago are on display at Nina Johnson Gallery through March 2.
 ?? Miami ?? Barbara Jones Hogu’s “Rise and Take Control” screenprin­t is part of the AFRICOBRA exhibit at MOCA.
Miami Barbara Jones Hogu’s “Rise and Take Control” screenprin­t is part of the AFRICOBRA exhibit at MOCA.
 ?? Miami ?? Ian Burrows’ ”Duality,” a work of digital photograph­y, is part of the 2019 YoungArts exhibition.
Miami Ian Burrows’ ”Duality,” a work of digital photograph­y, is part of the 2019 YoungArts exhibition.
 ?? Miami ?? Aramis Guttierez’s large-scale paintings referencin­g the work of Rubens and other masters is display at Tile Blush.
Miami Aramis Guttierez’s large-scale paintings referencin­g the work of Rubens and other masters is display at Tile Blush.

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