Miami Herald

Coral reefs provide stunning images of a world under assault

- BY CURT ANDERSON AND CODY JACKSON

Humans don’t know what they’re missing under the surface of a busy shipping channel in the “cruise capital of the world.” Just below the keels of massive ships, an underwater camera provides a live feed from another world, showing marine life that’s trying its best to resist global warming.

That camera in Miami’s Government Cut is just one of the many ventures of a marine biologist and a musician who have been on a 15-year mission to raise awareness about dying coral reefs by combining science and art to bring undersea life into pop culture.

Their company — Coral Morphologi­c — is surfacing stunning images, putting gorgeous closeups of underwater creatures on social media, setting time-lapsed video of swaying, glowing coral to music and projecting it onto buildings, even selling a coral-themed beachwear line.

“We aren’t all art. We aren’t all science. We aren’t all tech. We are an alchemy,” said Colin Foord, who defies the looks of a typical scientist, with blue hair so spiky that it seems electrical­ly charged. He and his business partner, J.D. McKay, sat down with The Associated Press to show off their work.

One of their most popular projects is the Coral City Camera, which recently passed 2 million views and usually has about 100 viewers online at any given time each day.

“We’re going to actually be able to document one year of coral growth, which has never been done before in situ on a coral reef, and that’s only possible because we have this technologi­cal connection right here at the port of Miami that allows us to have power and internet,” Foord said.

The livestream has already revealed that staghorn and other corals can adapt and thrive even in a highly urbanized undersea environmen­t, along with

177 species of fish, dolphins, manatees and other sea life, Foord said.

“We have these very resilient corals growing

here. The primary goal of us getting it underwater was to show people there is so much marine life right here in our city,” Foord said.

McKay, meanwhile, sounds like a Broadway producer as he describes how he also films the creatures in their Miami lab, growing coral in tanks to get them ready for closeups in glorious color.

“We essentiall­y create a set with one of these aquariums, and then obviously there’s actors — coral or shrimp or whatever — and then we film it, and then I get a vibe, whatever might be happening in the scene, and then I soundtrack it

with some ambient like sounds, something very oceanic,” McKay explained.

Foord told the AP: “I think when we can recognize that we’re all this one family of life and everything is interconne­cted, that hopefully we can make meaningful changes now, so that future generation­s don’t have to live in a world of wildfires and melted ice caps and dead oceans.”

Their mission is urgent: After 500 million years on Earth, these species are under assault from climate change. The warming oceans prompt coral bleaching and raise the risk of infectious diseases that can cause mass die-offs of coral, according to the National Oceanic and Atmospheri­c Administra­tion. Stronger storms and changes in water chemistry can destroy reef structures, while altered currents sweep away food and larvae.

“Climate change is the greatest global threat to coral reef ecosystems,” NOAA said in a recent report.

That gets at the second part of Coral Morphologi­c’s name. “What does it mean to be morphologi­c? It really means having to adapt because the environmen­t is always changing,” Foord said.

The staghorn, elkhorn and brain coral living in Government Cut provide a real-world example of how coral communitie­s can adapt to such things as rising heat and polluted runoff, even in such an unlikely setting as the PortMiami. Their video has documented fluorescen­ce in some of the coral, an unusual response in offshore waters that Foord said could be protecting them from solar rays.

“The port is a priceless place for coral research,” Foord said. “We have to be realistic. You won’t be able to return the ecosystems to the way they were 200 years ago. The options we are left with are more radical.”

Beyond the science, there’s the clothes. Coral Morphologi­c sells a line of surf and swimwear that takes designs from flower anemones and brain coral and uses environmen­tally sustainabl­e materials such as a type of nylon recycled from old fishing nets.

“We see the power of tech connecting people with nature. We are lucky as artists, and corals are benefittin­g,” Foord said.

 ?? LYNNE SLADKY AP ?? A variety of fluorescen­t and fleshy solitary stony corals are on display at the Coral Morphologi­c lab on March 2 in Miami. Coral Morphologi­c was founded by marine biologist Colin Foord, below center, and musician J.D. McKay, below right, to raise awareness about dying coral reefs by presenting the issue through science and art.
LYNNE SLADKY AP A variety of fluorescen­t and fleshy solitary stony corals are on display at the Coral Morphologi­c lab on March 2 in Miami. Coral Morphologi­c was founded by marine biologist Colin Foord, below center, and musician J.D. McKay, below right, to raise awareness about dying coral reefs by presenting the issue through science and art.
 ?? WILFREDO LEE AP ?? Marine biologist Colin Foord looks out into Government Cut after snorkeling on April 19.
WILFREDO LEE AP Marine biologist Colin Foord looks out into Government Cut after snorkeling on April 19.
 ?? LYNNE SLADKY AP ?? J.D. McKay
LYNNE SLADKY AP J.D. McKay

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