Miami Herald

A trash-bag sofa, giant fairy-tale figures and the Orient Express highlight Design Miami

- BY SIOBHAN MORRISSEY

Agatha Christie fans and anyone into the romance of the rails will be thrilled with this year’s Design Miami, which heralds the relaunch of the Orient Express. Visitors strap on a headset and experience a virtualrea­lity trip on the sumptuous train to Istanbul, complete with Asian music playing in the background.

The star of Christie’s iconic “Murder on the Orient Express” — the rail cars with their Lalique glass and marquetry panels inlaid with gold and ebony — had mysterious­ly disappeare­d after the luxury-train company shuttered roughly half a century ago. A worldwide search began in 2015 to find the missing train cars, which were eventually tracked to an open field on the border between Belarus and Poland. Today, the French hotelier, Accor Group, is reimaginin­g the train, combining the grandeur of the past with contempora­ry upgrades.

Plans for the newly designed Presidenti­al

Suite aboard the Orient Express (X/04) can be viewed for the first time by visitors to the annual design fair across the street from the Miami Beach Convention Center. Renowned French architect Maxime d’Angeac designed everything, right down to the doorknobs and the color of the lighting. The original cars had 10 cabins and a communal bathroom; the newer version has three cabins per car, each with its own shower. “In the Presidenti­al Suite you have a tub, which is extremely rare,” d’Angeac told the Miami Herald. The suite, which takes up an entire car, also comes with its own kitchen and a butler.

The immersive exhibition is one of 50 gallery and Curio presentati­ons at the 18th edition of the fair. The opulence of the Orient Express is emblematic of the fair’s theme: “The Golden Age: Looking to the Future.”

“This is the future, how we make a kinder, gentler, more sustainabl­e world moving forward,” explained Jen Roberts, Design Miami CEO. “This has meaning to me. My parents went on the QE2 and Orient Express.”

Some of the galleries have taken the Golden

Age to heart and are providing objects that glisten or are made of actual gold. The Ippodo Gallery (G/36), based in Tokyo and New York, offers exquisite tea-ceremony vessels and vases. Two vases by Hirotomi Maeda illustrate expert craftsmans­hip in gold-silvercopp­er alloy. They sell for $100,000 each. But the gallery has something for everyone’s wallet, including incense holders for $640. One of the more interestin­g works: ceramic tea jars and bowls by Yukiya Izumita, whose hometown was devastated by the 2011 tsunami that followed a 9.1-magnitude undersea earthquake.

“His work is about recovery and rebirth after the tsunami,” gallery director Shoko Aono said. “He used wave textures and driftwood to fire the clay, which gives it a dark color. He has a patient and humble nature and found beauty out of a natural disaster.”

Attached to the gallery is a lattice-work tea house. The gallery plans to host a modern Japanese tea ceremony for 10 lucky visitors each day through Sunday from 3-4 p.m. Email the gallery to reserve your spot: MAIL@IPPODO GALLERY.COM.

Meanwhile, The always innovative and amusing New York designer Harry Nuriev (C/03) is turning trash into gold. His tongue-in-cheek examinatio­n of the city’s daily outpouring of waste led to the creation of a couch that looks like an assemblage of black plastic trash bags. They’re not. They actually are more like sturdy beanbags filled with granular pellets. The work is comprised of nine bags lashed to one another. It comes in an edition of 10 and is priced at $50,000 each.

Other not-to-be missed designs:

The Design Talks Theater:

Theaster Gates, the iconoclast­ic installati­on artist from Chicago, created a place of grace to celebrate the life of artist and designer Virgil Abloh, his friend who died on the opening day of Design Miami last year. In lieu of chairs, Gates installed 10 wooden pews, each with its own pockets for hymnals.

The Collectors Lounge

(X-11): Sponsored by AIG Private Client Group, the lounge features the work of two men with Miami connection­s. The entrance features ornate light fixtures created by Bradley L. Bowers, who founded his eponymous brand in Miami’s Design District and runs a New Orleans-based studio. Bowers teamed up with the talented young architect Alexis Cogul Lleonart of Doo Architectu­re,

based in Cogul’s native Barcelona and Miami. B&B Italia also provided some of the most comfortabl­e and selfie-inducing furnishing­s of the fair — an embracing armchair with a tennis ball-shaped ottoman.

The Village Potter Bodega by Roberto Lugo

(C/09): Collectors can pick up a Lugo original for a few hundred dollars. There’s a sippy cup in the shape of a fire hydrant ($450), a butter dish in the form of a Philadelph­ia subway car ($750), and even an ode to the Robert Mitchum character in the 1955 film, “The Night of the Hunter” — a pair of brass knuckles with the words “Love” and “Hate” created in ceramic.

R & Company

(G/32): The New York gallery that represents Lugo also has on hand urns similar to the one on display at the Metropolit­an Museum of Art in

New York as well as the artist’s take on the orangeand-black Grecian jars — a Black man walking a pack of pit bulls in front of a phalanx of Philadelph­ia rowhouses.

For those who can’t get enough of Lugo, he’s also on exhibit at the Wolfsonian Museum in Miami Beach through May 28, 2023.

Wexler Gallery

(G/23): Be sure to stop by to see the “Nyala Chair,” which steals the show in the newly released film “Black Panther: Wakanda Forever.” EthiopianA­merican furniture designer Jomo Tariku created the curvaceous black wooden chair. Another of Tariku’s iconic works — “The Mido Chair” — resembles an Afro pick and is in the permanent collection of the Metropolit­an Museum of Art.

Jason Jacques Gallery (G/07): Think of your favorite fairytale figures, life-size and in vibrant green flocking, and you’ll have an idea of the world that Finnish designer Kim Simonsson created inside the Jason Jacques booth.

AGO Projects (G/21): If you like images of cheery cats bouncing off the wall as if in a caffeine fit (the Haas Brothers), Mexican tiles that can cover your floor and wall and stretch on for miles (Ceramica Suro), and a sofa so sexy you might want to pet it (Ryan Belli), then see Rodman Primack and Rudy Weissenber­g’s offerings from Mexico. Before Primack opened his gallery, he served as the executive director of Design Miami.

 ?? MATIAS J. OCNER mocner@miamiheral­d.com ?? ‘The Year of the Moss Children’ by Kim Simonsson is presented by Jason Jacques Gallery at Design Miami in Miami Beach.
MATIAS J. OCNER mocner@miamiheral­d.com ‘The Year of the Moss Children’ by Kim Simonsson is presented by Jason Jacques Gallery at Design Miami in Miami Beach.
 ?? MATIAS J. OCNER mocner@miamiheral­d.com ?? Athena Corral makes her way past ‘Lotus Lake’ by Albi Serfaty during Design Miami on Tuesday in Miami Beach.
MATIAS J. OCNER mocner@miamiheral­d.com Athena Corral makes her way past ‘Lotus Lake’ by Albi Serfaty during Design Miami on Tuesday in Miami Beach.
 ?? MATIAS J. OCNER mocner@miamiheral­d.com ?? Harry Nuriev talks with Dina Darina next to his piece, ‘The Trash Bag Sofa,’ at Design Miami on Tuesday.
MATIAS J. OCNER mocner@miamiheral­d.com Harry Nuriev talks with Dina Darina next to his piece, ‘The Trash Bag Sofa,’ at Design Miami on Tuesday.

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