Milwaukee Journal Sentinel

‘UnREAL’ skewers reality shows

Comedy-drama goes behind the scenes of dating show

- By FRAZIER MOORE

“UnREAL” might be TV’s most fully realized reality series. Why shouldn’t it be? It’s scripted, then performed by profession­al actors.

Premiering Monday on Lifetime, “UnREAL” arrives with what just might be perfect timing. The reality genre is cooling off as reality-based networks scramble to shore up their schedules with scripted dramas and comedies — the kind of fare that makes no false claims of authentici­ty and whose version of the truth is seen by all as invention.

“UnREAL” dwells in the off-camera netherworl­d of a dating competitio­n show called “Everlastin­g,” where a handsome bachelor must choose among a bevy of hot, hopeful women each bucking for a fairy-tale wedding. (Sound familiar?)

The week-to-week production process is anything but romantic. On the contrary, it’s a callous game of bullying and illusion whose sole objective is outrageous narratives. That process of seduction is led by executive producer Quinn King (played by Constance Zimmer, “House of Cards”), a single-minded puppet master whose chief henchman is Rachel Goldberg (Shiri Appleby, “Girls”), a young producer whose task is to cajole, badger and play on the weaknesses of the show’s participan­ts to get the footage that Quinn demands.

Although “UnREAL” pushes certain moments to dramatic extremes, everything you see is based on reality-show reality, said co-creator Marti Noxon, who also created Bravo’s hit “Girlfriend­s’ Guide to Divorce” and wrote for WB’s “Buffy the Vampire Slayer.”

“We thought uncovering the behind-the-scenes machinatio­ns would make great stories,” she said, “and we wanted to comment on the kind of bully culture of a lot of reality television.”

“UnREAL” is a straight-ahead workplace comedydram­a populated with flawed, three-dimensiona­l characters. There are no villains, just people — under-thegun producers and on-the-make contestant­s — who in the worst way want to score in the sordid world of make-believe they call “reality.”

“Contestant­s come in and think they can beat the

WHEN TO WATCH

game, but it’s truly an unbeatable game,” said Sarah Gertrude Shapiro, director-writer of “Sequin Raze,” a black comedy about a reality dating show, who created and produces “UnREAL” with Noxon. “You’re ritually manipulate­d and charmed and edited beyond your control. Viewers think the contestant­s knew what they had signed up for. But they couldn’t have. There’s no way.”

The game is fixed and the matchmakin­g premise is only a pretext. On “UnREAL,” the hunky “suitor” is seeking not a soul mate but TV-sparked publicity to lure investors for his new hotel project. And one of the contestant­s confides her real goal: “I just want people to know my name, so when I open my hair shop, there’ll be a line around the block.”

Participan­ts sign on expecting a payoff for pretending to be themselves. What they don’t understand (until too late): They are pawns in the “Everlastin­g” chess game, with Quinn, in her video-paneled master control, pronouncin­g which contestant is the designated villain, which is the hot one, which ones are boring and should be bounced.

“Viewers want to believe in fairy tales, and those reality shows tap into that want,” Shapiro said. “Our show dismantles that want.”

What:

When:

“UnREAL”

9 p.m. Monday

Where:

Lifetime

 ??  ?? ASSOCIATED PRESS Constance Zimmer plays Quinn King, the executive producer and chief puppet master on “UnREAL.”
ASSOCIATED PRESS Constance Zimmer plays Quinn King, the executive producer and chief puppet master on “UnREAL.”

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