Milwaukee Journal Sentinel

Infusion Baroque delivers musical mystery

Ensemble breaks traditions

- ELAINE SCHMIDT

Murder, mystery and intrigue are the stuff of literature, film and theater — and now of early music performanc­es we well.

The Montreal-based Infusion Baroque ensemble appeared at St. Paul’s Episcopal Church Saturday evening on the Early Music Now series, merrily breaking establishe­d traditions of concert presentati­ons, as well as some of Early Music Now’s traditions.

The quartet of baroque flutist Alexa Raine Wright, baroque violinist Sallynee Amawat, baroque cellist Camille Paquette-Roy and harpsichor­dist Rona Nadler presented a program of chamber music that straddled the line between the Baroque and Classical eras, putting their repertoire well outside the norm for an Early Music Now presentati­on.

The ensemble, a relative newcomer to the early music field, presented “A Musical Murder Mystery Soiree” entitled “Who Killed Leclair?”

The musical core of the evening’s program consisted of three pieces by Jean-Marie Leclair, interspers­ed with music by his contempora­ries/rivals, Mondonvill­e, Guignon and Locatelli.

The women played with polish, energy and finely honed style. They crafted beautifull­y shaped phrases, presented with an ongoing exchange of musical ideas and dynamic contrasts that came across like animated conversati­ons.

And oh, the ornaments. In keeping with their mid-18th-century program, the women, particular­ly flutist Raine Wright, liberally spiced melodic lines with sometimes-playful, sometimes florid, always graceful turns, trills, appoggiatu­ras, glissandos and so on.

This was musically rich, detailed-infused playing that turned an evening of what were actually relatively similar pieces into a lovely tapestry of musical contrasts.

Some sagging pitch, likely due in part to temperatur­e fluctuatio­ns in the church, was also a part of the performanc­e, as were some balance issues that buried the soft-edged sound of the baroque flute in the more pointed string sounds from time to time in the space’s live acoustic.

Throughout a program of pieces by Leclaire and his contempora­ries and rivals, the women took turns telling the story of the composer’s murder — a story that sounds a bit like something from a modern tabloid.

Leclair was murdered in his Paris home in 1764 — a crime never solved. The police of his day identified three principal suspects: his estranged wife, his gardener and his nephew.

According to a showof-hands vote from Saturday evening’s audience, the nephew did it.

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