Milwaukee Journal Sentinel

De Waart joins MSO for Mozart, Ives

- ELAINE SCHMIDT This concert will be repeated at 8 p.m. Saturday in Uihlein Hall of the Marcus Center for the Performing Arts, 929 N. Water St. Visit mso.org or call (414) 273-7206.

Edo de Waart, who left the music director post of the Milwaukee Symphony Orchestra at the end of last season, was back at the podium Friday in the role of guest conductor.

De Waart led the orchestra through a program that looked a bit curious on paper — opening with Charles Ives’ “The Unanswered Question,” and continuing with Franz Joseph Haydn’s “Sinfonia Concertant­e in B-flat major,” and wrapping up with Mozart’s Symphony No. 39 — but worked beautifull­y in performanc­e.

De Waart and a small string section took the stage, in what proved to be a contemplat­ive, haunting performanc­e of the brief piece. Opening with soft, hazy strings and punctuated by the distant sounds of a lone trumpet and four flutes (all playing from the wings), the performanc­e effectivel­y left the dangling “question” unanswered.

The Haydn “Sinfonia concertant­e” that followed may not have the answered the question that ended the Ives’ piece, but it returned the audience to the comfort of the familiar.

The piece, written for four soloists and orchestra, featured soloists from within the orchestra: associate concertmas­ter Ilana Setapen, principal cellist Susan Babini, principal oboist Katherine Young Steele and principal bassoonist Catherine Chen.

The soloists played as though caught up together in a consuming conversati­on. They handed phrases back and forth with ease and grace, and did some artful dovetailin­g of musical lines as well, a couple of slips notwithsta­nding.

The program’s second half featured a seamless performanc­e of Mozart’s Symphony No. 39, with De Waart and the players delivering a deftly handled final movement that clipped along at an urgent pace but still gave the audience a clear understand­ing of the symphony’s exquisite architectu­re.

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