Milwaukee Journal Sentinel

‘Zoey’s Extraordin­ary Playlist’ finds heart, song in tragedy

- Lynn Elber

LOS ANGELES – “Zoey’s Extraordin­ary Playlist” has an unlikely origin.

The NBC series, about a young woman who channels other people’s thoughts through pop songs, was inspired by the devastatin­g illness of creator Austin Winsberg’s father.

In the months before a rare neurologic­al disorder claimed Richard Winsberg’s life in 2011, the 68-year-old architect who had been engaged in a full, active life was left immobilize­d and unable to speak.

“We would try to figure out ways to communicat­e with him, but we didn’t always know what he was thinking, what he was processing. And I was also becoming a dad for the first time, while losing my dad that I was really close to,” Austin Winsberg recalled. “It was a very, very painful time in our lives.”

The distance of years allowed Winsberg, 43, to address the loss in his writing.

“One day I thought, ‘What if the way that my dad saw the world during that time was through musical numbers?’ And somehow the idea of that made me smile, and it brought a little joy out of something that felt very sad and tragic,” he recalled.

“Zoey’s Extraordin­ary Playlist,” which previewed in January and began its full 12-episode run Sunday, stars Jane Levy as Zoey, a computer coder whose life is transforme­d during a medical test. She becomes the onewoman audience for such impromptu numbers as work friend Max (Skylar Astin) exclaiming his unspoken affection for her with the Partridge Family tune “I Think I Love You.”

Musicals are familiar turf for Winsberg. He wrote the book for “First Date,” which was on Broadway in 2013’14, and sold three other music-centered TV pilots to networks that didn’t make it to series.

But creating what are essentiall­y a dozen musical production­s on a tight schedule proved logistical­ly daunting, he said, even with unwavering network support.

“We have eight days to shoot episodes, and we do somewhere between five and six musical numbers an episode,” he said, all within strict creative rules. “We didn’t want them to feel like music videos. We didn’t want to make them feel like fantasy numbers, where the lighting and the costumes and everything change and with people singing directly at the camera.”

That high bar found the choreograp­her who could leap it: Mandy Moore, who shares her name with the “This Is Us” actress but is a star in her own field. Her credits include stage projects, the movie “La La Land,” and the Oscar, Grammy and Emmy ceremonies. She’s also a double Emmy winner for her choreograp­hy on “So You Think You Can Dance” and “Dancing With the Stars.”

“Zoey’s Extraordin­ary Playlist” brought its own challenges, Moore said.

“These numbers that we’re creating are unique to each character in each scene. It’s not like the kind of show where you’ve got a cabaret club, and every time you’re in the club there’s a band. These dancers live in so many different worlds within the show,” Moore said. “It is physically different worlds, because you do (a number) in a bedroom, or in a coffee shop. But we’re also able to physicaliz­e emotion: Something can be a very sad song, and so how does that look?”

What may be entertaini­ng and touching for viewers remains personal for Winsberg.

“Every episode, something that happens to (Mitch) or happens to the family is something that we went through over that time. And it’s raw and vulnerable, putting yourself out there like that,” he said.

 ?? SERGEI BACHLAKOV/NBC ?? The cast of “Zoey’s Extraordin­ary Playlist” perform “I’ve Got The Music In Me” during an episode of the new NBC series. Pictured, from left: Alex Newell, Peter Gallagher, John Clarence Stewart, Jane Levy, Mary Steenburge­n, Skylar Astin, Lauren Graham.
SERGEI BACHLAKOV/NBC The cast of “Zoey’s Extraordin­ary Playlist” perform “I’ve Got The Music In Me” during an episode of the new NBC series. Pictured, from left: Alex Newell, Peter Gallagher, John Clarence Stewart, Jane Levy, Mary Steenburge­n, Skylar Astin, Lauren Graham.

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