Milwaukee Magazine

LIKE CLOCKWORK

A steampunk centerpiec­e steals the show inside a River Hills wine cellar.

- – ADAM ROGAN

Discover a ginormous handmade clock in, of all places, a River Hills wine cellar.

THERE’S A SECOND OF SILENCE. THEN

two clicks, a whir and a clink. Repeat.

Mark Jungers has a wine collection of some 1,900 bottles in his River Hills home. But the fermented grapes play second fiddle in their own cellar to a 3-foot-wide, 7½-foot-tall clock.

“Nobody walks in there and looks at the wine,” admits Jungers, who co-owns a legal recruiting firm with his wife. “In everybody else’s wine cellar, that’s what you would do, but not in mine.”

Although the clock looks ancient, it was birthed in spring 2016. Treated brass tendrils reach out like tree branches.

It feels familiar but is near indescriba­ble. It’s imposing but hollow. Awesome but airy. “It’s got this extreme delicatene­ss to it,” Jungers says. “It’s masculine, it’s dark, it makes noise. But at the same time it has hundreds and hundreds of delicate flourishes.

“I’m not comparing it to the Mona Lisa, but in a picture it’s one thing. Being in its presence, it’s another.”

The machinery is as impressive as the artistry. It took Detroit-based artist Eric Freitas one-and-a-half years to construct the 5,080-piece masterpiec­e.

“I kind of don’t know how to hold back,” Freitas says. “I really worked the metal until I knew I couldn’t do anything else with it.”

The clock is the epitome of a good centerpiec­e. It’s both a conversati­on starter and a conversati­on stopper. It’s a thief of attention. It makes you forget about the wine in a wine cellar.

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