Sundance Film Festival unveils lineup for 2023 edition
Documentaries about Brooke Shields, Judy Blume and Michael J. Fox, films from veteran directors like Nicole Holofcener, an adaptation of the viral New Yorker story “Cat Person” and the feature directorial debut of actors Alice Englert and Randall Park are among the world premieres set for the Sundance Film Festival in January.
Programmers for the world's most prestigious showcase for independent films recently announced the lineup for the 2023 edition. After two pandemic hobbled years, plans are in motion to return to Park City in full force for the festival which runs from January 19 through January 29, with stars like Anne Hathaway, Tiffany Haddish, Julia Louis-Dreyfus, Alexander Skarsgård, Gael García Bernal, Cynthia Erivo, Daisy Ridley and Jonathan Majors headlining some of the 101 feature films in the slate. Tickets are currently on sale.
The festival which helped launch the careers of filmmakers from Steven Soderbergh
to Ryan Coogler, is once again celebrating a diverse slate of features from first-time filmmakers. Among the narrative features premiering, 16 are from first time directors, 7 of whom are women. In feature documentaries 16 are from first timers and 14 of those are women.
“First time filmmakers are in the DNA of the festival. We're always looking to find fresh voices to champion,” said Kim Yutani, the festival's director of programming. “It's such a pleasant surprise to look back and see those numbers and our program and to know that that organically happens.”
As always, there are exciting documentaries about well-known names. Lana Wilson's “Pretty Baby: Brooke Shields” charts the actor and model's early days, when photographers and filmmakers depicted Shields in sexualized way as a very young girl, and how she found her agency. Davis Guggenheim in “Still: A Michael J. Fox Movie” looks at what happens when “an incurable optimist confronts an incurable disease.” There are also documentaries
about Little Richard, food writer Ruth Reichl, pioneering Black fashion model Bethann Hardison and the Indigo Girls.
In the U.S. Dramatic Competition, the section in which “CODA” debuted in 2021 before going on to win best picture at the Oscars, Molly Gordon and Nick Lieberman make their debut with “Theater Camp,” a Will Ferrell-produced comedy about a rundown theater camp in
upstate New York scrambling to get ready for summer that stars Ben Platt. Jonathan Majors plays an amateur bodybuilder in Elijah Bynum's “Magazine Dreams,” while Daisy Ridley shows her non-Star Wars chops in Rachel Lambert's “Sometimes I Think About Dying,” which is among the day one premieres.
“Shortcomings,” an adaptation of Adrian Tomine's graphic novel, is the debut
of “Fresh Off the Boat” star Randall Park, who directs Justin H. Min, Sherry Cola and Ally Maki in a comedic, irreverent look at Asian Americans in the Bay Area.
Also making her feature directorial debut is Alice Englert with “Bad Behaviour,” a mother-daughter film about a former child actor, played by Jennifer Connelly, and mother to a stunt-performer daughter, who is looking for some enlightenment. Englert,
whose own mother is Jane Campion, plays the daughter in the dark comedy about a toxic, co-dependent relationship, co-starrinng Ben Whishaw as a new age guru. Whishaw can also be seen alongside Adèle Exarchopoulos in Ira Sachs' “Passages” about attraction and emotional abuse.
There are dozens of documentaries that focus on some of the most pressing issues of the moment, too, like Razelle Benally's “Murder in Big Horn,” about the deaths of Native women in rural Montana, Tracy Droz Tragos' “PLAN C” about a grassroots organization in the U.S. fighting to expand access to abortion pills, and Nancy Schwartzman helps uncover a troubling pattern of women reporting sexual assault who are then charged with creating a false report in “Victim/Suspect.” “20 Days in Mariupol,” directed by AP videojournalist Mstyslav Chernov in partnership with Frontline, gives an unprecedented look at the work of Ukrainian journalists trapped in Mariupol at the beginning of the Russian invasion.