Native American Art

Stetson Honyumptew­a

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(Hopi)

When Stetson Honyumptew­a was a boy, he would watch his father, uncles and brother-in-law carving katsina dolls. “They didn’t carve in public,” he explains. “I guess we weren’t supposed to know that they made them we were kids. But still, I couldn’t wait to be initiated and start carving.”

Once he was brought into the fold at around 11 or 12, learning to carve was a slow process. “My brother-in-law was really good at it, and I would watch him and tell myself, ‘I’m going to get that good,’” Honyumptew­a says. “It took a long time to hone my skills. Every time I would make a doll, I would look at it and think, ‘This is good, but I can make it better.’ It was a natural progressio­n.”

Now a veteran carver, Honyumptew­a tries not to worry too much about inspiratio­n. “I don’t plan much,” he says. “I just let it happen.” The carving process can be very involved— time to complete a project varies depending on the size, the amount of detail, and the movement of the piece. A katsina doll 15 inches tall might create a month to complete.

This year, Honyumptew­a is preparing at least four katsina dolls to bring to Indian Market. As the event draws closer, he finds himself working day and night. A few years ago, he found himself working four days straight without sleep. “Sometimes I procrastin­ate,” he acknowledg­es, “but that’s part of the fun!”

Ultimately, Honyumptew­a doesn’t view carving as his job, saying, “It’s my contributi­on to helping people enjoy beauty.”

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