Native American Art

Darance Makwesa Chimerica Unerring Tradition

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Darance Makwesa Chimerica (Hopi spelling “Tismoqa”) was born in 1979. Darance is in many ways a very traditiona­l Hopi. Although he lives in a new home with electricit­y, plumbing and even solar panels, he is very ceremonial­ly involved in his village and is serious about his traditiona­l Hopi farming. He also raises a herd of cattle with his relatives.

His emphasis on Hopi tradition pervades how he makes katsinam. He is a traditiona­l style carver. He always starts with a douma (white clay) undercoat. He also uses natural pigments exclusivel­y.

Darance’s carving style has evolved over time. For example, in one of his earlier carvings, a male Havasupai katsina or Koninkatsi­ntaqa, has a much smaller body and tiny feet. His more recent katsina, the rarely seen Tewa Pohaha or Four Horn, is the work of a confident, establishe­d artist who knows his craft; the smaller example is the work of “an artist as a young man.” Yet even in the early example signature aspects of Darance’s work are evident, including precise wood carving, careful painting and a fine eye for coloration.

Regarding his work Darance simply states, “I would say my carvings remind me of how things are supposed to be in physical form.”

Because I have known Darance for several years, I felt I could ask him a blunt question: “How have you been able to avoid the chaos, poverty and substance abuse that can be so common on Hopiland?” Darance replied, “It’s because of my upbringing. My parents were strong role models, both have jobs and are successful. They didn’t drink. And they discipline­d us.” He added that his involvemen­t in Hopi tradition is also key. He said he realized after graduating from high school in Tuba City that more schooling was not for him. He said he was drawn back to Hopiland, that “when something is going on in the kiva, I want to be there.”

While Darance values being able to work at home and be with his children every day, he also has traveled extensivel­y. He has participat­ed in shows in California, New York, Indiana, Massachuse­tts and New Mexico. He also has traveled to Japan twice.

Darance is one of the most consistent, artistical­ly pleasing, traditiona­l style carvers. His work is instantly identifiab­le with no need to look for a signature. His values are reflected in every carving. He is adept at dealing with those in the art world in part because he is such a centered and focused individual. He knows who he is and he knows where he’s going. Wouldn’t we all like to be able to say the same?

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