Native American Art

The Apsáalooke Perspectiv­e

A look at the groundbrea­king exhibition, Apsáalooke Women and Warriors, and the historic art and objects that give it life.

- BY NINA SANDERS

CHICAGO, IL

In a time when museums across the globe are struggling to reimagine antiquated and colonial approaches to exhibition making around Indigenous cultures, a collaborat­ion between the Field Museum, the University of Chicago and the Apsáalooke Nation, has produced a groundbrea­king exhibition that finally invites a Native nation and their curator to tell the story of their people. In an effort to avoid continuous colonial approaches to curation, museum collection­s care and conservati­on, as well as public education surroundin­g Indigenous material, the Field Museum partnered with the Neubauer Collegium for Culture and Society at the University of Chicago to tackle the issues head-on to lay out a vision for the future that includes robust consultati­on from Native peoples.

Together the institutio­ns hosted a remarkable series of conversati­ons with tribal elders, Native artists and writers, curators and scholars specializi­ng in Indigenous cultural material, scholarshi­p and human rights. As a result of the conversati­ons the research project improved engagement and incorporat­ed knowledge from the Native community.

The first major result of these consultati­ons is Apsáalooke Women and Warriors, groundbrea­king, community-driven exhibition that features historic objects and contempora­ry art with narratives that emphasize the vibrant and living culture of the Apsáalooke people. A new roadmap that explores the appropriat­e display and education of Native objects and culture.

Apsáalooke Women and Warriors tells stories from the Apsáalooke perspectiv­e, a radical departure from the past that seeks to privilege the voices of Indigenous and marginaliz­ed people. And the exhibition book, distribute­d by the Uchicago Press, gives center stage to Apsáalooke writers, whose essays are featured alongside sacred objects, contempora­ry and historic art, and photos of Apsáalooke people. All proceeds from the book will go to Little Big Horn College in Crow Agency, Montana.

The two-part exhibition will feature contempora­ry art, beadwork, designer apparel, war shields, historic ledger works, an animated production about the Apsáalooke creation, parade finery and an Apsáalooke tipi. Each object described through narrative, with an emphasis on the Apsáalooke use and meaning of each item. In addition to these items the Field museum site will premiere a collection of Apsáalooke war shields curated by Aaron Brien, Apsáalooke archeologi­st and scholar.

WAR CULTURE

In the past the Apsáalooke were immersed in a way of life that embraced inter-tribal warfare. This war culture compelled my people to have a great deal of respect for those who exhibited boundless courage and bravery on the battlefiel­d. These virtues are still celebrated though we no longer participat­e in inter-tribal warfare. A victory today is successful participat­ion in the military, completing a degree, doing honorable work in your

 ??  ??
 ??  ?? 1. Baleiittaa­shtee/war shirt, possibly mid-19th century, hide (buckskin, leather), textile, fur (est. ermine), glass, hair, quill, sinew, thread, pigment. © Field Museum. Photo by John Weinstein.
1. Baleiittaa­shtee/war shirt, possibly mid-19th century, hide (buckskin, leather), textile, fur (est. ermine), glass, hair, quill, sinew, thread, pigment. © Field Museum. Photo by John Weinstein.

Newspapers in English

Newspapers from United States