Native American Art

Two In One

The San Francisco Tribal and Textile Show merged with American Indian Art Show merged into a mega art fair for tribal and Native art February 21 to 23

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It was a weekend of beauty and art objects from around the world as the 34th annual San Francisco Tribal and Textile Art Show joined forces for the first time with the 36th annual American Indian Art Show February 21 to 23 at the Fort Mason Center in San Francisco. The new fair felt strong and energized as collectors packed the venue on both days to acquire historic and contempora­ry works.

“The fair-goers range from collectors looking for their next masterpiec­e to interior designers buying art and textiles for clients to people interested in culture wanting to find a special piece for their homes,” says Kim Martindale, co-founder of the show.

Noted American Indian art dealers participat­ing in this year’s fair included Trotta-bono, Faust Gallery, Waddell Trading, Mark

Winters, Blue Rain Gallery, Turkey Mountain Traders and Cowboys and Indians. Contempora­ry artists include Baje Whitehorne Sr., Terrance Guardipee and Andrea Vargas.

The fair opened to the public on Saturday at 11 a.m. and exhibitors were greeted with a line at the door of people waiting to get in. That enthusiasm continued throughout the day with packed aisles and standing room only lectures.

Three special exhibits wowed the visitors. At the entrance to the show was The Casspir Project’s apartheid-era Casspir vehicle, SPOEK 1, that has been restored and reclaimed and covered in 70 million brightly colored glass beads to turn the symbol of tyranny into a spectacula­rly adorned sculpture. Another exhibition was Variations on a Loom: The J.B. Moore Collection, the world’s largest collection of JB Moore weaving to be on public display for the first time.

“It was non-stop busy for the opening,” said exhibitor Lee Chinalai of Chinalai Antiques, “and the clothing was wildly popular with old and new fans of the artists buying.”

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 ??  ?? 1. The Casspir Project’s apartheid-era Casspir vehicle, SPOEK 1,
restored, reclaimed and covered in 70 million multi-colored glass beads. Photo by Mauricio Hoyos.
2. Show goers at the San Francisco Tribal and Textile Art Show saw more than 100 exhibitors at the 2020 fair.
3. The Casspir Project’s SPOEK 1 turns a symbol of tyranny into a spectacula­rly adorned sculpture that represents humanity and creativity. Photo by Mauricio Hoyos
4. The Dancing Threads booth at the 2020 San Francisco show. 5. Exhibitors Ted and Anna Trotta-bono talk with fair goers at the 2020 San Francisco Tribal and Textile Show. Photo by Walt Borton.
6. Peter Pap’s booth at this year’s San Francisco Tribal and Textile Show.
Photo by Walt Borton.
7. A view of the many antiques on display at the San Francisco show. Photo by Walt Borton.
8. Visitors explore the myriad of artworks at this year’s show.
1. The Casspir Project’s apartheid-era Casspir vehicle, SPOEK 1, restored, reclaimed and covered in 70 million multi-colored glass beads. Photo by Mauricio Hoyos. 2. Show goers at the San Francisco Tribal and Textile Art Show saw more than 100 exhibitors at the 2020 fair. 3. The Casspir Project’s SPOEK 1 turns a symbol of tyranny into a spectacula­rly adorned sculpture that represents humanity and creativity. Photo by Mauricio Hoyos 4. The Dancing Threads booth at the 2020 San Francisco show. 5. Exhibitors Ted and Anna Trotta-bono talk with fair goers at the 2020 San Francisco Tribal and Textile Show. Photo by Walt Borton. 6. Peter Pap’s booth at this year’s San Francisco Tribal and Textile Show. Photo by Walt Borton. 7. A view of the many antiques on display at the San Francisco show. Photo by Walt Borton. 8. Visitors explore the myriad of artworks at this year’s show.
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