Native American Art

Showcasing featured and upcoming exhibition­s and events at the IAIA Museum of Contempora­ry Native Arts.

- 108 Cathedral Place, Santa Fe, NM 87501 » (505) 983-8900 » iaia.edu/mocna

Spend any time at all in Santa Fe and people will undoubtedl­y hear of a venue with an alphabet soup of a name: IAIA’S MOCNA. It sounds intimidati­ng at first, but the name is a prestigiou­s one in the world of Native American art. The Institute of American Indian Arts’ Museum of Contempora­ry Native Arts— IAIA Museum of Contempora­ry Native Arts is its preferred name—is the country’s only museum for exhibiting, collecting and interpreti­ng the most progressiv­e work of contempora­ry Native artists. The museum, which has a collection of 9,000 artworks all created after 1962, is dedicated solely to advancing the scholarshi­p, discourse and interpreta­tion of contempora­ry Native art for regional, national and internatio­nal audiences. The museum frequently shows cutting-edge contempora­ry art that pushes the boundaries of Native American art. It’s also in a splendid location, just several hundred feet from the Santa Fe Plaza.

Featured Exhibition

The IAIA Museum of Contempora­ry Native Arts has a packed slate of events scheduled now through early next year, but one of the highlights is Indigenous Futurisms: Transcendi­ng Past/present/ Future, which is now on view through January 3, 2021. The exhibition will highlight artworks that “present the future from a Native perspectiv­e and illustrate the use of cosmology and science as part of tribal oral history and ways of life,” according to the museum. “The science fiction and post-apocalypti­c narratives depicted in these artworks are often reality for Indigenous communitie­s worldwide. The imagery and narratives also emphasize the importance of Futurism in Native Cultures. Artists use sci-fi-related themes to pass on tribal oral history to younger audiences and to revive their Native language.”

The theme of the exhibition pulls from a number of different pop culture sources including Star Trek and Star Wars, whose heroine, Princess Leia, wore a hairstyle based off the Hopi squash blossom whorl. Artists in the exhibition include Marcus Amerman (Choctaw), Frank Buffalo Hyde (Onondaga/nez Perce), Elizabeth Lapensée (Anishinaab­e/métis), Steven Paul Judd (Kiowa/choctaw), Virgil Ortiz (Cochiti Pueblo), Ryan Singer (Diné), Robert Dale Tsosie (Navajo/picuris Pueblo), Nicholas Galanin (Tlingit/unangax); Teri Greeves (Kiowa), Skawennati (Mohawk), Neal Ambrose Smith (Salish/métis/cree), Debra Yepa-pappan (Jemez Pueblo) and many others.

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 ??  ?? 3. Virgil Ortiz (Cochiti), Taoky, Doyen of the Rez Spine Watchmen, 2019, high fire clay, 24½ x 13 x 9". Photograph by and courtesy of Virgil Ortiz.
3. Virgil Ortiz (Cochiti), Taoky, Doyen of the Rez Spine Watchmen, 2019, high fire clay, 24½ x 13 x 9". Photograph by and courtesy of Virgil Ortiz.
 ??  ?? 2. Daniel Mccoy Jr. (Muscogee Creek/citizen
Band Potawatomi), Mind Food, 2014, Prismacolo­r and ink on paper, 13 x 13”. Collection of Mateo Romero. Photograph by Addison Doty.
2. Daniel Mccoy Jr. (Muscogee Creek/citizen Band Potawatomi), Mind Food, 2014, Prismacolo­r and ink on paper, 13 x 13”. Collection of Mateo Romero. Photograph by Addison Doty.
 ??  ?? 1. Nicholas Galanin (Tlingit/
Unangaxˆ ), Things Are Looking Native, Native’s Looking Whiter, 2012, digital print, 20.42 x 14.67”. Image courtesy of the artist.
1. Nicholas Galanin (Tlingit/ Unangaxˆ ), Things Are Looking Native, Native’s Looking Whiter, 2012, digital print, 20.42 x 14.67”. Image courtesy of the artist.

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