Native American Art

Clay Stories

-

King Galleries holds an exhibition from August 11 to August 18 displaying traditiona­l and contempora­ry work.

SANTA FE, NM

In response to current health restrictio­ns, King Galleries is hosting a virtual event titled Bigger, Better, Online and Virtual. In past years, the gallery had a twoday event for their many talented Pueblo potters, and kicked off right before the Santa Fe Indian Market. In an effort to stay motivated and positive, King Galleries has extended the event to one week from August 11 to August 18, displaying traditiona­l and contempora­ry work from artists such as Les Namingha, Jeremey Frey,

Robert Patricio, Russell Sanchez, Tammy Garcia and Jennifer Tafoya.

“I’m excited that this year we are including more artists and expanding our shows from two days to seven during our Native art week at the gallery,” says gallery owner Charles King. “Some great younger artists will be showing with us for the first time, as well as some of the great names in Pueblo art. Artists may or may not be present, but video and

live streaming of various events will provide an opportunit­y for people to learn more about the art and artists.”

Viewers will see work from artists like Juan de la Cruz (Santa Clara), who will have approximat­ely six pieces to display. He explores themes in mythology and is combining new ideas in his work. “A design concept that is fresh for me is layering and intermingl­ing geometric elements with the human figures,” says the artist. “Up until now, I’ve largely kept the human figures neatly framed within a panel created by the geometric designs. However, out of experiment­ation and a sense of ‘let’s see if this’ll work,’ I’ve been interweavi­ng these two main components of the design process. I hope this more dynamic interplay will resonate well with people.”

For participat­ing potter Namingha (Hopi-tewa/ Zuni), color is the most important element. “There is an unlimited number of ways in which color can be used to express ideas and emotions,” Namingha explains. “But it also requires discipline and knowledge to use it effectivel­y. Color is one area that I continue to try to master and is undoubtabl­y a lifelong pursuit. Acrylic paint, with its wide variety of color choice, is my base for exploring style and technique.”

While color remains a staple for Namingha, his themes have gone through an explorator­y process. For the past several years, he’s worked with themes

2. Rainy Naha (Hopi-tewa),

Native clay

3. Left and right: Jennifer Tafoya (Santa Clara),

Native clay, Middle:

Christophe­r Youngblood

(Santa Clara), Native clay Images courtesy King Galleries. surroundin­g layering. “The message is that layering is an integral part of our existence,” says Namingha. “Our thoughts and memories become layered over time. I utilize this idea by layering Pueblo pottery motifs and elements of modern designs to represent that concept. As a result, the work becomes a tapestry of interconne­cting forms and color. My recent work expands upon this idea by incorporat­ing heavy texture, collage, text and erasing.”

Various events will ensue during the course of the week of the virtual show. Each day will have a separate theme and artists pertaining to that theme will be giving interviews and interactin­g with the artwork. “We are creating our events to encourage the artists to continue to make exceptiona­l work and connect them with their collectors,” says King, “but we also want to create a safe environmen­t for interactio­ns and meet health requiremen­ts.”

Visit www.kinggaller­ies.com for additional details.

 ??  ?? 1. Left: Juan de la Cruz (Santa Clara), Native clay,
Right: Les Namingha (Hopi-tewa/zuni), acrylic on Native clay
1. Left: Juan de la Cruz (Santa Clara), Native clay, Right: Les Namingha (Hopi-tewa/zuni), acrylic on Native clay
 ??  ??
 ??  ??

Newspapers in English

Newspapers from United States