A vocal star: Play brings Robeson to life

PAUL ROBESON’S voice was melodious, even when his world was tumultuous. The soaring highs and searing lows of this distinguished star’s life (he died at 77 in 1976) are rooted throughout “The Tallest Tree in the Forest.”

Written by and starring Daniel Beaty, the show imagines Robeson’s youth, studies at Rutgers and Columbia Law School, career, activism and battles with House Un-American Activities Committee. It begins as Robeson performs “Ol’ Man River” from “Show Boat.” He headlined the musical in London in the late 1920s and on film in ’36.

“I made that song famous,” says Robeson. “That song made me famous.” In that deceptively simple line, Beaty illustrates the complexity of Robeson’s life. The theme comes through vividly in Beaty’s deeply felt portrait of Robeson, who was outspoken against oppression. He never apologized for his passion and love for the Soviet people.

Beaty also breathes life into Robeson’s father, brother, wife and some three dozen others in the performer’s life. Like Scottish miners, who Robeson supported as they fought for better wages and conditions. And a critic whose review of his landmark star turn on Broadway in “Othello” is echoed by the play’s title. And J. Edgar Hoover, who labeled Robeson a Communist.

Moises Kaufman’s evocative direction includes three musicians who accompany Beaty in several musical interludes. And there are dozens of microphones of various sizes and shapes around the set. Fitting for a performer and outspoken activist whose voice, along with what he sang and said, is his legacy.