New York Daily News

‘HAIR’-IFFYING

Hulu horror-comedy about weaves, extensions has some rethinking their use

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Several scenes in the film “Bad Hair” were so horrifying that some cast members initially second-guessed their own use of hair weave or extensions.

The dark comedy horror is “only a film,” they say, but the story’s underlying messages of harmful hair weave and false beauty standards for Black women had a lasting effect.

The film, a period piece set in 1989, follows an ambitious young woman who — after being criticized for her hairstyle — gets a lengthy weave in order to succeed at her music television network. Ultimately, she discovers that her newly installed hair is possessed, taking over her body and causing harm to others.

“Bad Hair,” which releases Friday on Hulu, certainly left an impression on the Emmy-nominated actor Laverne Cox, who thought twice while wearing her 28-inch long, lace-front wig after watching an early screener of the film.

“I was just horrified by this hair on my head,” said Cox, who plays Virgie, a mysterious hairstylis­t. “There is something kind of bizarre when you think about it.”

Hair extensions are usually clipped, glued or sewn into natural hair. A weave is a popular method where hair wefts are sewn onto braided hair and styled in any manner. Lace-front wigs can be applied with tape or glue. The hair can be synthetic or human.

“Like, I’m wearing someone else’s hair,” Cox continued. “Like, literally someone grew this. When you break it down and think about it, someone probably harvested, shipped and processed it. After watching this movie, it’s hard not to be confronted with that.”

Elle Lorraine, who stars in the lead role as Anna, said she struggled to watch the gruesome scene of her character getting hair sewed into her head while under obvious pain and discomfort.

“That was the hardest scene for me to watch, because I feel the trauma that the character is going through,” she said. “It’s literally sewing someone’s hair into your head. Of course, it’s a film. ... But the trauma I experience­d from watching it every time, just reminds me of something about what I take myself through, and how I want to move forward in what I put in my body.”

Lena Waithe, who plays BrookLynne, said the film touches on the issue of conformity in the workplace through the main character and her new boss.

“If you work in an office where everybody is mean, you tend to be mean as well to be a part of the in crowd,” Waithe said. “It’s really about energy and how a person can come in and transform the whole office based on what they want and what they want to be surrounded by. ... It’s more about what kind of environmen­t do you want to create in a workspace. The person who is at the top, that’s what the rest of the company looks like.”

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