New York Daily News

LGBTQ films roar back

Theater doors swing open for NYC queer screen fest

- BY MURI ASSUNÇÃO

Queer film lovers, rejoice! Pride and popcorn are back in New York City theaters.

The 33rd edition of the New York LGBTQ+ Film Festival, the biggest celebratio­n of LGBTQ film on the East Coast, begins Friday. And after last year’s nearly all-virtual edition, this year the festival is going hybrid. Organizer NewFest, a film and media nonprofit that focuses on amplifying queer stories, is welcoming audiences to attend in-person screenings in Brooklyn and Manhattan theaters, or stream the movies at home.

“Given that the queer community is so bursting at the seams to be together again, and to create that connection, it was really important for us to create [the most] robust and in-person component to the festival that we could,” David Hatkoff, NewFest’s executive director, told the Daily News.

This year’s festival will feature more than 130 films and episodics, including world premieres, Oscar contenders and legacy screenings of queer classics. A majority of them are either by or about underrepre­sented voices in the queer community.

“We have films about the intersex experience, many films about the trans experience, [and] we have films about the two-spirit experience,” said Hatkoff, referring to an umbrella term used by some Indigenous North Americans to describe those who identify as having both a masculine and a feminine spirit. “Being able to be fully inclusive and representa­tive in that way is really important to us.”

Nick McCarthy, NewFest’s director of programmin­g, noted that while underrepre­sented voices taking center stage this year wasn’t planned, it shows “a strength that we’re seeing in these stories being produced and told, [and] we’re most excited to see that these percentage­s are rising,” he said.

The 2021 hybrid edition of the festival runs through Oct. 26. Tickets and screening passes can be purchased online. Here are some of the highlights.

‘PASSING’

Golden Globe-winning actress Rebecca Hall makes her directoria­l debut in the period drama “Passing.” The film, based on Nella Larson’s 1929 Harlem Renaissanc­e novel of the same name, tells the story of a Black woman who reunites with a high school friend who is passing as white. The encounter leads the characters to reexamine racial and sexual identities, sparking a mutual obsession that threatens both of their carefully constructe­d realities.

Premiering at Sundance earlier this year, “Passing” features an all-star cast led by Tessa Thompson and Ruth Negga. “It honors the legacy of how queer the Harlem Renaissanc­e was in the 1920s,” McCarthy said.

‘FIREBIRD’

“Firebird” tells the story of a daring romance between two Soviet Air Force recruits during the height of the Cold War. The film, based on true events, won an honorable mention for best first feature at the equally prestigiou­s Frameline: San Francisco Internatio­nal LGBTQ+ Film Festival earlier this year. “It’s really a very sexy, romantic film that I think audiences are really going to love,” Hatkoff said.

‘DEATH AND BOWLING’

The winner of this year’s Narrative Feature Audience Award at Los Angeles Outfest 2021 is making its East Coast premiere at the festival. “Death and Bowling” is a touching and quirky film that tells the story of a trans man who meets a mysterious stranger at the funeral of the captain of his lesbian bowling league in Los Angeles. Written and directed by Lyle Kash, a queer American transgende­r filmmaker of European and South Asian ancestry, the film stars a multitude of transgende­r actors.

‘TRUTH OR DARE’

It’s been three decades since Madonna presented an unpreceden­ted behind-the-scenes look at her generation-defining “Blond Ambition” world tour by letting director Alek Keshishian and his crew follow her every move. “Madonna: Truth or Dare,” which remained the world’s top-grossing documentar­y for over a decade, is now commemorat­ing its 30th anniversar­y, and the nice folks at NewFest are throwing a Madge Brunch to mark the date.

‘FLEE’

Jonas Poher Rasmussen’s “Flee,” which won Sundance’s Grand Jury Prize for world cinema documentar­y earlier this year, tells the true story of an Afghani LGBTQ refugee and his journey to safety in Denmark in “this dizzying animated documentar­y,’’ according to McCarthy. “Flee” will be screened at the festival closing night gala.

‘AIDS DIVA’

The life of the fearless AIDS and transgende­r rights activist Connie Norman is the subject of Dante Alencastre’s new documentar­y.

The self-proclaimed “AIDS Diva” and ACTUP/LA spokespers­on in early ’90s Los Angeles stood proudly in her multiple, fluid and evolving LGBTQ identities.

‘BRING DOWN THE WALLS’

Directed by Phil Collins (not the singer), this enthrallin­g documentar­y examines members of a New York City community who use the dance floor as a space for personal and collective liberation.

“Bring Down the Walls” (photo), in its North American premiere, is a “really fascinatin­g, galvanizin­g and immersive documentar­y that shows a collective that’s fighting against the U.S. prison system,” McCarthy said.

“These collective conversati­ons that happen in downtown Manhattan are followed and paired by a big house [music] dance party.

“It’s something about breaking down systemic oppression and … experienci­ng the joy.”

‘MAYOR PETE’

A documentar­y chroniclin­g Pete Buttigieg’s historic 2020 presidenti­al bid was selected as the festival’s opening film. Directed by Jesse Moss (“Boys State,” “The Overnighte­rs”), “Mayor Pete” takes viewers inside Buttigieg’s campaign to be the youngest U.S. president, providing an unpreceden­ted intimacy with the candidate, his husband, Chasten, and their team.

The film will show the former mayor of South Bend, Ind., from the earliest days of the campaign through his unlikely victory in Iowa and beyond — revealing what goes on inside a run for the highest office in the land, and how it changes the lives of those involved in it.

‘MAKE ME FAMOUS’

“Make Me Famous,” about the ’80s art scene in New York City, makes its debut at the festival. Directed by Juilliard-trained actor Brian Vincent, the film looks into the legacy of Edward Brezinski, a charismati­c Lower East Side painter on the fringe of success, and his disappeara­nce from the city’s downtown art scene.

“To be able to premiere that, and also have that be a local story about an unknown artist with a bit of mystery around him and his death is really [why] we think that’s going to be a really exciting feature,” said Hatkoff.

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