What We Think Will Be Big
Loie Hollowell: “Plumb Line”
(Pace; 9/14–10/19)
The popular young mystical feminist abstractionist—she might just remind you of Agnes Pelton, Georgia O’Keeffe, or Judy Chicago—helps inaugurate the new neo-brutalist Pace megagallery in west Chelsea with what she calls her self-portraits.
“Tokyo Pop Underground” (Jeffrey Deitch; 9/14–11/2)
This could be the Ur– Deitch show, a manga-andmore candyland, curated by Tokyo gallerist Shinji Nanzuka, that will once more underscore that the
Japanese can’t help but be cooler than you.
Jacolby Satterwhite: “You’re at Home” (Pioneer Works; 10/4–11/24)
Promises a millennialnostalgia house of horrors, or at least submerged longings. He’s building an immersive installation of video projections, virtual reality, and “a retail store styled to resemble a defunct Tower Records” to lose yourself in once you’ve made it all the way to Red Hook.
“JR: Chronicles” (Brooklyn Museum; 10/4–5/3/2020)
Literally big: The onetime street artist creates one of his digitally collaged murals, The Chronicles of New York City,
for the Brooklyn. Look closely: Maybe you’ll see someone you know!
“Hans Haacke: All Connected” (The New Museum; 10/24–1/26/2020)
A retrospective centered on his all-too-timely bronze horse-skeleton sculpture, Gift
Horse (2014), “adorned with an LED ribbon streaming stock prices in real time.”
“Theater of Operations: The Gulf Wars 1991–2011” (MoMA PS1; 11/3–3/1/2020)
A show of more than 50 artists (Afifa Aleiby, Paul Chan, Guerrilla Girls—but no paintings by W.) whose work was inspired by America’s lateempire military adventures.
carl swanson