New York Magazine

mood lighting:

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➽ Erotic thrillers love a color theme. Body Heat plays with the subtropica­l setting and the bloody outcome by using bright whites and deep reds in contrast

to the sunny blue skies; in Gone Girl, David Fincher goes for a muted-blue palette, making the sight of warmer colors (such as the red of blood) alarming and effective. And everything is accentuate­d by shadows.

 ?? ?? Gone Girl, 2014
Gone Girl, 2014

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