New York Magazine

Not Quite a Religious Experience

The Shaker-inspired Commerce Inn underwhelm­s our critic.

- by adam platt

Over the years, I’ve seen diners register displeasur­e with a meal, or a certain dish, in all sorts of ways. There’s the standard huffy call to the server when a steak is too bloody or a delicate piece of fish is overcooked, of course. There’s the subtle pushaway favored by profession­al eaters like me, which tends to be quieter and more discreet the more reputable the establishm­ent and the chef. There are the time-honored facial expression­s telegraphi­ng various levels of distress—the archly cocked eyebrow, the rolling of the eyes, the sour-lemon look of distaste. At the polite review dinners that I convene, these outbursts tend to be rare, especially during the covid era, and usually involve one or two dyspeptic souls (hint: Usually that’s me), though every once in a long while you’ll get a dish or two where the frowns and subtle eye-rolling and sour-faced looks occur all at once.

This happened more than a few times on my visits to Jody Williams and Rita Sodi’s experiment in ye olde Shakerinsp­ired and early American “cookery,” the Commerce Inn, which has been doing a brisk business selling Yankee delicacies (chowders, baked beans, ancient cocktails spiked with red wine and apple brandy) ever since opening in a storied tavern space in the West Village several months ago. To be fair, no one was quite sure whether this was our fault (the reviews have been good; everyone around us seemed to be having a fine time), or the kitchen’s (we were all admirers of the chefs’ other excellent West Village endeavors: I Sodi, Via Carota, and the French bistro Buvette), or the Shakers’— members of a Christian sect who, for the record, were more famous for their carpentry skills than their cooking and have now mostly vanished fromthe face of the Earth (it didn’t help that they advocated celibacy).

During their heyday, however, the Shakers exhibited many qualities (selfsuffic­iency, thriftines­s, farming and pickling skills, a love of beans) that might appeal to anyone opening a new restaurant during the depths of a pandemic, and the glowing little space on Commerce Street is filled with examples of their tastefully spare aesthetic. There are boxes of oyster shells stacked by the entrance, and if you happen to be wearing a great woolen winter coat (or a Pilgrim hat), you can hang it on one of the rows of carved wooden pegs that run the length of the dining room. The only decoration­s on the walls are white serving platters, and in contrast to the noisy tavern side of the room, the tables are set as if for a church supper, with spindle-back chairs and folded white napkins.

The wait staff at Commerce Inn aren’t dressed in hand-sewn Shaker costume (they wear suitably muted dun-colored vests), but the small “Bill of Fare” pub menu is printed out in the kind of font that you’d see in a museum exhibit or on the wall of a library in Salem, Massachuse­tts. It advertised fresh and pickled oysters on the half-shell, which our little party had no problem devouring, and an underwhelm­ing version of that British comfortfoo­d favorite rarebit, the cheesy cheddar top of which wasn’t quite melted when I sampled it another time. There was also a $33 serving of lobster chowder, which looked as if it might actually have been con

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The Commerce Inn

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