New York Post

MASTER OF SEX

Gramm winner Miguel turns up the heat to make like the biggest horndog in R&B

- By HARDEEP PHULL

IT doesn’t matter how old, how successful or how famous you get, there are some things that just don’t fly in front of Mom.

Miguel understand­s that all too well. The Los Angelino’s new album, “Wildheart,” is a stunning blend of R&B, funk, soul and psychedeli­c rock — with a heaving dose of sexuality that recalls Prince before he found God and cleaned up his act. When it was released in June, “Wildheart” hit No. 2 on the Billboard 200 album chart and received rave reviews across the board. But even with that ringing endorsemen­t, the 29-year-old admits that it’s probably not something he’ll put on at Thanksgivi­ng dinner.

“You don’t want to listen to it with Mom,” he tells The Post. “My mom is not really into to anything that’s too sexual. It rules out songs like ‘The Valley’ [the lyrics of which reference the porn industry, graphic sex and religion]. I have to skip that!”

There will be no skipping the provocatio­n, though, when Miguel brings his sultry live show to Terminal 5 in New York on Sunday (he also plays the Starland Ballroom in Sayreville, NJ, on Wednesday and Westbury, NY’s Space on Friday). But for all his talk, Miguel Jontel Pimentel is no freewheeli­ng horndog.

He’s been in a relationsh­ip with model Nazanin Mandi for the better part of decade; as “Wildheart” shows, he feels the physical aspect of a relationsh­ip doesn’t always fade over time.

“It’s determined by the individual­s in the relationsh­ip,” he says. “There’s a tremendous amount of spirituali­ty that we forget to incorporat­e in intimacy.”

The sexual strut has been with Miguel since his debut album, 2010’s “All I Want is You.” Two years later, he broke big with “Kaleidosco­pe Dream,” earning a Best R&B Song Grammy (for “Adorn”) and tour-opening spots for Drake and Alicia Keys. He also guested on Mariah Carey’s Top 20 hit “#Beautiful” in 2013.

The singer has a competitiv­e streak, saying in a recent interview with the Sunday Times of London that he makes “better music” than his contempora­ry Frank Ocean. It was a statement that sent Twitter into a frenzy, forcing Miguel to backtrack slightly by saying there was no need to compare “apples to or

anges.” But while the musical confidence of “Wildheart” leaves most modern R&B trailing in its wake, Miguel’s search for personal identity is ongoing. Born to a Mexican-American father and an AfricanAme­rican mother, his mixed heritage is something that inspires the lyrical soulsearch­ing of tracks such as “What’s Normal Anyway,” in which he recalls the frustratio­ns of never quite being able to fit properly into any one cultural group.

“We live in a world where everything has to be defined,” he states. “Everyone always wants to know where to put things, where to find things. In the United States especially, we’re used to being able to categorize. There are all these boxes that people want you to fit in — but there was no box for me, and there still isn’t. Maybe that’s a good thing!”

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