New York Post

Creative lions roar at Cannes

- Emily Smith @PageSixCan­nes Claire Atkinson

If anyone’s under the delusion that the age of advertisin­g is dead, a trip to this fascinatin­g Mediterran­ean city this week for the Cannes Lions Internatio­nal Festival of Creativity should erase that silly idea.

Begun in 1954 as a cozy gettogethe­r to promote advertisin­g films, Cannes Lions in recent years has exploded into a weeklong extravagan­za that draws 11,000 people — including some of the world’s brightest talents in tech, media, music and film.

Playing off the cutting-edge feel of the annual Consumer Electronic­s Show, some have taken to calling this high-wattage gathering to ponder the future of the $505 billion global media business “CES on The Med.”

Naturally, nearly every executive strolling along the Boulevard de la Croisette, the breezy seaside esplanade, will be thinking about how to better utilize their mobile advertisin­g budgets. Gone are the days of just being on mobile — today the talk is how to avoid unsavory corners on YouTube or Facebook.

Also on the lips of attendees — in addition to the rivers of rosé wine, as plentiful as air kisses and paparazzi — will be talk of diversity. And speaking of which, the controvers­ial “Fearless Girl” statue — placed beside the “Charging Bull” statue in Downtown Manhattan — from asset manager State Street Global Advisors and McCann, New York, is poised to pick up a Grand Prix at the awards ceremony. And speaking of wine, the Whispering Angel rosé label has negotiated its way into all the right cocktail soirees. Yes, even the free drinks on hand are working their marketing plan. Amid the bold-faced names — Sheryl Sandberg, Nick Jonas (left)and Jason Reitman among scores of others — mingling at the Cercle Bar in the Grand Hotel Cannes or ot her l uxe watering holes, Madison Avenue heavyweigh­ts will be chewing over the state of TV advertisin­g.

It’s expected to decline by 1 percent globally in 2017 — the first drop since the recession-buffeted 2009, according to forecaster Magna. The missing cash, one can assume, has fled to mobile — a category that’s expected to crest the $100 billion mark this year. If it passes that plateau, it will mark the first time mobile ad spending hit nine figures.

The Vivendi spin

Vivendi, owner of Universal Music as well as Canal Plus, France’s pay-TV company, is a sponsor of the Cannes Lions Entertainm­ent track. Universal Music Chief Executive

Lucian Grainge will be named Media Person of the Year.

Vivendi is in the midst of swallowing ad holding Havas, af ter agreeing to acquire a 60 percent stake in the company for $2. 5 billion.

The deal is a Bollorè family affair. Dad Vincent controls Vivendi as chairman while son Yannick is CEO of Havas.

The musical talent mingling, talking and, at time, entertaini­ng, will be spread across every imaginable label. Those expected include Demi Lovato (right), Halsey, classical pianist Lang Lang, Russell Simmons, A$AP Rocky, Ellie Goulding, The Weeknd, Wyclef Jean, Ed Sheeran and Stevie Nicks.

Buzz of the beach

Remember when top-notch talent used to shun corporate affairs? Well, those days have gone the way of the public pay phones. These days A-listers are banging down the door to get onto the Cannes Lions list of invited guests. Over the weekend , whispers were exchanged that concert p ro moter Live Nation is expected to bring down a big, as yet, unnamed act. Stay tuned. Meanwhile, music streamer Spotify, down on t he Rivi e ra in force, announced in a blog post on Thursday that its ad revenue jumped 50 percent year-onyear in 2016. It counts 140 mill i on gl obal monthly active users. “Spotify’s streaming intelligen­ce provides psychograp­hic and behavioral audience insights which go beyond traditiona­l demographi­cs,” Brian Benedik, the company’s global head of sales, boasted.

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