New York Post

TUNING IN STOCK

Songwriter­s want Spotify equity for royalties

- By CLAIRE ATKINSON

Spotify’s long-running spat with songwriter­s isn’t going away — and that could complicate plans to take the company public.

The Swedish musicstrea­ming service — which for years has tangled over business terms with bigname artists like Taylor Swift — is getting fresh static from music publishers and the songwriter­s they represent over unpaid royalties, sources told The Post.

Among their demands: a chunk of Spotify’s equity when it takes itself public either this fall or next spring in a deal that could value the company as high as $13 billion, according to sources close to the situation and documents reviewed by The Post.

“Whether and how equity has been considered within the royalty rate calculatio­n ... is an issue that has been important to publishers for years,” Danielle Aguirre, general counsel of the National Music Publishers Associatio­n, or NMPA, wrote in a letter to Spotify’s chief lawyer last week that was obtained by The Post.

Aguirre added in her July 12 letter that interest in the issue “has been raised more recently by the news of Spotify’s impending equity offering.”

That’s despite high-profile royalty settlement­s Spotify lately has cut with publishers — most recently last month, when it agreed to shell out $43.4 million to head off a class-action suit that claimed Spotify had illegally skimped on payments since the service launched in 2008.

Spotify’s general counsel, Horacio Gutierrez, ripped into the publisher group in a June 14 letter, accusing the NMPA of trying to grab more than what the settlement called for.

But in its letter last week, the NMPA dismissed what it called Spotify’s “diversiona­ry accusation­s” as it demanded, in addition to equity in the soon-to-be-public streaming giant, guarantees that songwriter­s will be paid what they’re owed in the future.

Spotify has long claimed that it has streamed music without paying licensing fees to songwriter­s because it lacked the data to tell which publishers had claims to individual songs.

That’s hogwash, the NMPA’s Aguirre countered last week, saying the publishing group found “many instances” in which Spotify hadn’t paid songwriter­s “despite the musical work — with contact informatio­n — [being] clearly available in the records of the copyright office.”

With Spotify still dragging its feet on paying what it owes, the NMPA may soon threaten a lawsuit, according to a source familiar with the matter. Talks could boil over next week, when Spotify is set to meet with NMPA President David Israelite in Washington, DC.

Although Spotify boasts 50 million paying subscriber­s — nearly twice what Apple Music claims — it isn’t rolling in cash, as record labels take about 85 percent of the total. Last month, Spotify said its 2016 revenue rose more than 50 percent to $3.3 billion, but its losses more than doubled to $600 million.

Still, one broker who trades in Spotify shares in the secondary market said investors remain bullish despite the ongoing disputes, recently paying an all-time-high price of $3,300 a share.

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