New York Post

Woke Astronomer­s: Black Holes ‘Racist’

- HEATHER MAC DONALD Heather Mac Donald is a senior fellow at the Manhattan Institute and a contributi­ng editor of City Journal, from which this column was adapted. Twitter: @HMDatMI

PHYSICISTS at the Massachuse­tts Institute of Technology and SUNY Stony Brook recently concluded that two black holes maintained their total surface area after merging. While this research was a welcome confirmati­on of the theory of general relativity, it failed to address a crucial matter: What were its racial implicatio­ns? That’s a lacuna that an astronomy course at Cornell University aims to prevent. “Black Holes: Race and the Cosmos” poses the question, “Is there a connection between the cosmos and the idea of racial blackness?”

Anyone familiar with academia’s racial monomania knows the answer: Of course, there is. Though “convention­al wisdom,” according to the course descriptio­n, holds that the “‘black’ in black holes has nothing to do with race,” astronomy professor Nicholas Battaglia and comparativ­e-literature professor Parisa Vaziri know better.

Battaglia and Vaziri draw on theorists such as Emory University

English professor Michelle Wright, whose book, “The Physics of

Blackness,” invokes “Newton’s laws of motion and gravity” and

“theoretica­l particle physics” to

“subvert racist assumption­s about blackness.” The course also studies music by Sun Ra and Outkast to

“conjure blackness through cosmologic­al themes.”

Many scientists, reading about

Cornell’s course, might wonder: Is this a hoax?

There’s precedent, after all. In

1996, New York University physicist Alan Sokal published a paper,

“Transgress­ing the Boundaries:

Towards a Transforma­tive Hermeneuti­cs of Quantum Gravity,” in one of high theory’s holiest of shrines: the journal Social Text.

Sokal drew on postmodern theory to show science to be a mere political power play.

Sokal cited such postmodern giants as Andrew Ross and Luce Irigaray on topics like “opposition­al discourses in post-quantum science” and “gender encoding in fluid mechanics,” proposing a new theory of quantum gravity that could serve as the basis for a “postmodern and liberatory science.”

Sokal’s paper was a prank. Clouded in Theorese, it obscured its own scientific illiteracy and was accepted for publicatio­n—a mistake which should have triggered an academic reckoning. Instead, postmodern theory continued to fester, particular­ly in humanities and social-science department­s.

In 2017, it happened again. Three academics submitted theorydren­ched fake articles to various cultural-studies and social-science journals. Four were published, and three accepted, before the hoax was exposed. “The Conceptual Penis as a Social Construct,” published in the journal Cogent Social Sciences, argued for understand­ing the penis not as “an anatomical organ, but as a social construct isomorphic to performati­ve toxic masculinit­y” (with climate change identified as one of its most damaging threats). Another analyzed the rape culture of dog parks.

The humanities and much of the social sciences have been beyond parody for a long time. What’s different about “Black Holes: Race and the Cosmos” is its co-listing in an actual science department. The course fulfills Cornell’ s science distributi­on requiremen­t, touching as it does on such concepts as the electromag­netic spectrum.

Astronomy department­s have been on the forefront of campus identity politics. Cornell’s astronomy department won’t even allow prospectiv­e graduate students to submit the physics GRE, since female, black and Hispanic students score lower on average. Cornell’s engineerin­g department accepts female undergradu­ates at over two and a half times the rate of males, even though the average male math SAT score is significan­tly higher than the average female score.

Today’s academic charlatans mistake rhetoric for knowledge and words for things. This sleight of hand is particular­ly prevalent in

matters relating to race. Hunter College professor Philip Ewell argues that the concept of tonal and harmonic hierarchie­s in music theory is a stand-in for pernicious racial hierarchie­s. Black business school students at USC protested in 2020 that hearing a professor use the Mandarin phrase for “that” — “nèi ge” — constitute­d racial harassment, since the Mandarin expression can sound like the N-word; the professor was sent on leave.

For decades, science has stood guard against the racial hysteria and postmodern­ism besetting the rest of the academy. Bit by bit, it is succumbing.

Many scientists, reading about Cornell’s hoax?’ course, might wonder: Is this a

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