New York Post

SADDAM’S FINAL SECRETS

CIA opens vault on bloody dictator — who wanted to be a novelist

- By DANA KENNEDY

IN the pantheon of bloodthirs­ty dictators, Iraqi strongman Saddam Hussein has almost been relegated to the dustbin of history. He’s remembered as part of the now-quaint-seeming “axis of evil,” for having psychopath­ic sons, Uday and Qusay, and a murderous cousin named “Chemical Ali,” and perhaps most of all for not having weapons of mass destructio­n.

The March 2003 invasion of Iraq was premised on the claim that Saddam had amassed chemical and biological weapons and was ready to use them.

But there were none and the cavalry charge to Baghdad turned into a decade-long morass that cost more than $728 billion and led to the death of 4,492 US service members.

Now his final secrets are being revealed in a new book based in part on his own secret tapes, which its author fought a legal battle to hear.

“The Achilles Trap: Saddam Hussein, the CIA and the Origins of America’s Invasion of Iraq,” by Steve Coll, uses details of what Saddam told CIA and FBI interrogat­ors over cigars and the own Nixon-style recordings he made during his 24-year reign, which the CIA retrieved from his ruined palaces in Baghdad.

They reveal the Saddam nobody knew and show just how much the CIA misunderst­ood the butcher of Baghdad.

For one, Saddam fancied himself a creative talent, writing four novels and financing a film when he was in power, and just as the Bush administra­tion’s rhetoric heated up against him, he was more into writing than military affairs. In the days before his December 2006 hanging, he turned to poetry.

Coll, a veteran journalist, doesn’t pull any punches when it comes to the CIA’s massive “miscalcula­tion” and “missteps” in invading Iraq.

But he doesn’t let Saddam off the hook either, making it clear that the Ba’athist dictator bungled his side of things, not doing enough to make it clear that he had no WMDs because of his own ego and poor sense of political strategy — then wrongly thought the US would never invade his country.

“Why did Mr. Hussein sacrifice his long reign in power — and ultimately his life — by creating an impression that he held dangerous weapons when he did not?” Coll wrote in a New York Times essay tied to the launch of his book.

Rural peasant upbringing

Coll explains that Hussein did secretly order the destructio­n of all his chemical and biological weapons, which is what the US and the UN told him to do — but then covered it up for fear of appearing weak, to his own people as well as the West.

“One of the mistakes some people make is that when the enemy has decided to hurt you, you believe there is a chance to decrease the harm by acting in a certain way,” he once told a subordinat­e, according to Coll’s book. “In fact, he said, ‘The harm won’t be less.’ ”

(“Hussein recorded his private leadership conversati­ons as assiduousl­y as Richard Nixon,” Coll wrote.)

It didn’t help that Hussein, however shrewd and ruthless he could be, was the product of a harsh rural peasant upbringing near the provincial city of Tikrit where violence was a part of daily life.

His father died before he was born and his stepfather, a formidable man with a wicked streak, was said to be hard on Saddam.

Saddam wrote in his autobiogra­phy that he was a scary little boy, intimidati­ng other kids by brandishin­g a gun and once pistol-whipping someone on a bus who didn’t move over to make room.

But his tribesman toughness was no help when it came to dealing with the fog of perception and mixed messages coming from the West, or what Coll calls Saddam’s “tragic, decadeslon­g conflict with Washington” that included a collaborat­ion with the CIA during the 1980s, and the Gulf War of 1990 and 1991, which ended in humiliatin­g defeat for the strongman.

His tragedy, which became the West’s as well since the invasion of Iraq led to the eventual rise of ISIS and empowered Iran, was naively thinking that Washington was more “omniscient” and competent than it really was, Coll argues.

He thought the CIA “already knew” he had no dangerous weapons.

Then again, he was a virulent antisemite who thought the CIA was totally run by Jews. He even banned his own spies from learning Hebrew in case they became sympatheti­c to Jews.

Threaded in between the revelation­s of Hussein’s own self-destructio­n, however, Coll draws a sometimes sympatheti­c portrait of the dictator before his capture and hanging. He was discovered by US forces in December 2003 hiding in a “spider hole” by a farmhouse near Tikrit.

“The thing about Saddam as an adult is that he wasn’t really a crazy person,” Coll told The Post.

“It sounds weird to say but he was comfortabl­e in his own skin.”

He first seized power in 1979 with a ruthless purge of the ruling Ba’ath party’s elite, and hung on to it with an iron fist.

At home, he was responsibl­e for an astonishin­g scale of suffering and death. He went to war

against Iran in 1980, with the 8-year conflict becoming a World War One-style morass of trench warfare.

He used poison gas against the Iranian troops and then against his own people, gassing rebellious Kurds repeatedly, an atrocity which showed he — then — had both WMD and no compunctio­n about using them.

When he invaded Kuwait in 1990, the tapes reveal, he thought he would get away with it, asking why America had not warned him against seizing his smaller neighbor in advance.

But he saw himself as more than a political leader.

“He saw himself as a man of culture,” Coll told The Post.

“He invited poets to his office and clearly wanted to be seen as a multidimen­sional person. He read like a fiend.

“He read biographie­s of great men and read literature from the post World War II Arab world.”

Steamy romances

When he traveled abroad, Saddam dressed like a dandy in “burnt-orange, double-breasted, wide-striped business suits” and tipped lavishly.

Saddam wrote four propaganda-heavy novels and a number of poems and financed 1983’s “Clash of Loyalties,” an epic propaganda film starring Oliver Reed about the 1920 revolution in Iraq against the British occupation.

British actor Marc Sinden was hired to co-star but before he left the UK for filming in Iraq, he was persuaded to do double duty as a spy.

Sinden’s efforts at espionage involved mainly taking photos of modern Baghdad and its layout for British intelligen­ce, along with peering down from his hotel room and watching trucks full of boys leaving for the thenfrontl­ine war with Iran — and returning with corpses, he said in a 2014 interview.

Sinden and Oliver Reed were invited to the presidenti­al palace for dinner with Saddam and a phalanx of his generals as well as Saddam’s vicious son, Uday.

“He was a little s--t,” said Sinden. “At one point Saddam went into the most extraordin­ary revolution­ary rant. No idea what he was talking about, it was in Arabic.

“I could only liken it to watching Goebbels. The sheer power of oratory, we were sucked into it. He might have been ordering more food. But we were all mesmerized.”

The Nixon-style tapes reveal that his aides experience­d similar unstoppabl­e rants — often streams of antisemiti­c paranoia.

He was once recorded shouting, “I curse your mustache!” at his brutal cousin “Chemical Ali.”

His aides also got sent his hand-written manuscript­s to edit, but he rarely took their suggestion­s, Coll said.

Saddam’s first book, “Zabibah and the King,” was published in 2000 and is nominally a love story about a powerful ruler of medieval Iraq and a beautiful commoner who’s married to a cruel man who rapes her. The book was widely seen as an allegory: the ruler representi­ng Saddam; Zabibah the people of Iraq; and her evil husband the US and, of course, Israel.

It was turned into a musical and 20-part series on Iraqi television.

His other books were “The Fortified Castle,” “Men in the City,” which details the rise of the Ba’ath Party in Tikrit, and “Begone Demons,” a novel allegedly completed the day before the US invasion that describes a Zionist-Christian conspiracy against Arabs and Muslims.

Grammar ‘Nazi’

“The more he wrote, the more he identified as a man of letters,” Coll writes.

“One evening, at the height of his novel-writing period, Saddam heard a television presenter make a grammatica­l error while reading a statement. The president telephoned the minister of culture to protest.

“An investigat­ion ensued; the presenter reread the statement properly on the air and was suspended for six months.”

Coll was less than effusive about those literary efforts.

“He had no discernibl­e talent,” Coll said. “But he did have a lot of stamina when it came to sitting down and actually writing and finishing his books and poetry.”

Despite being distracted by his desire to be a dictator of letters — at the time the CIA thought he was amassing more WMD — Saddam was weighing up the chances of being invaded by a US-led coalition throughout 2002 and early 2003.

But the tapes reveal that he told his inner circle that it would never happen: An invasion, he said prophetica­lly, would hit Bush’s popularity at home.

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 ?? ?? CAUGHT ON TAPE: Iraqi strongman Saddam Hussein ran a Nixon-style recording operation when in power, then spoke at length over cigars with CIA and FBI interrogat­ors after his 2003 capture. Now a new book, “The Achilles Trap” (inset), is revealing what he said.
CAUGHT ON TAPE: Iraqi strongman Saddam Hussein ran a Nixon-style recording operation when in power, then spoke at length over cigars with CIA and FBI interrogat­ors after his 2003 capture. Now a new book, “The Achilles Trap” (inset), is revealing what he said.
 ?? ?? BAGHDAD TO WORSE: Saddam wanted to be known for his novel “Zabibah and the King” (leftmost), and preferred natty dress to military fatigues (center). But he miscalcula­ted badly and ended up a prisoner (near left) after the 2003 US invasion. He was hanged in 2006.
BAGHDAD TO WORSE: Saddam wanted to be known for his novel “Zabibah and the King” (leftmost), and preferred natty dress to military fatigues (center). But he miscalcula­ted badly and ended up a prisoner (near left) after the 2003 US invasion. He was hanged in 2006.
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