New York Post

Living on Cloud 9

Famed tower on W. 57th thrives under Soloviev

- By STEVE CUOZZO scuozzo@nypost.com

It’s high-five time at Nine West, the nearmythic office tower at 9 W. 57th St. enjoying new life under Stefan Soloviev, the son of late developer Sheldon Solow.

The 50-story skyscraper with more than 1.6 million square feet behind its famous sloping facade inched closer to 100% occupancy with a newly signed lease with French global asset-management firm Tikehau Capital. The deal for 23,033 square feet on the 45th floor brings the building to more than 96% full. It’s a far cry from the 50% availabili­ty that Soloviev faced when he took control of the property after his father’s passing in November 2020 and when pandemic-ravaged Midtown was still largely deserted.

Other tenants at Nine West, as it’s known, include Apollo, Mousse Partners, Loews Corp., Davidson Kempner and Pointstate Capital. Rents have usually been higher than $200 per square foot.

Soloviev attributed the recent leasing surge in part to having “personal relationsh­ips with tenants. “We listen to them and accommodat­e them,” he said. “It’s a 180-degree turn from what the relationsh­ips were in the past.”

He referred to Sheldon Solow’s notoriousl­y brittle relationsh­ips with tenants who sometimes ended up fighting him in court.

Although the tower was prized for its Central Park views and the quality of its finishes, it was rarely full after it opened in 1974. Some companies feared to go there after Solow sued the likes of Avon and Bank of America over various occupancy and rent issues.

The infamously picky developer also kept large blocks of space vacant rather than sign tenants he didn’t like or at rents lower than he was willing to offer.

But Nine West is on a roll now. Another reason for its comeback is an elaborate undergroun­d, for-tenants-only athletic club that will soon boast a cold-plunge spa pool. There’s also a 20,000square-foot amenities center on the 27th floor.

The amenities program actually began around the start of the pandemic.

“We were putting $45 million into the building when we didn’t know where real estate was headed,” Soloviev said.

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