The Lynching Hollywood Loves

Hollywood loves a good, old-fashioned Jew-lynching: Just ask Mark Ruffalo, Billie Eilish and Ava DuVernay. All were sporting “bloody hand of resistance” pins at the Oscars. The pins show a raised, red open palm and are marketed under the ultra-chic “Artists for Cease-Fire” label. But that symbol derives from an actual photo of a particular bloody hand.

Back in 2000, two Jewish IDF reservists mistakenly drove through Ramallah and were detained by Palestinian police — and then brutally murdered in their jail cell by a crowd of savage, blood-hungry thugs, one of whom showed his bloodied hand in a nowinfamous photo. That is, the pins are a winkwink, nudge-nudge endorsement of violent terror against Jews.

These stars are hard leftoids: Ruffalo is an empty-brained Sanders fanatic, despite being a millionaire many times over himself, Big studios laundered Ava DuVernay’s race-hucksterist conspiracy theory into respectability. For the mind behind the morally specious documentary “13th” to come out in support of lynchings? No notes, as they say in Tinseltown.

Billie Eilish is a kid — but that excuse wouldn’t fly if she’d been amplifying cryptoNazi symbols, and it shouldn’t fly here.

And that goes for every Hollywood nitwit who can’t find Gaza on a map but donned the pin because a friend/spouse/strangerthey-follow-Instagram told them to.

We have to ask: What’s next for the moral pioneers of American arts? Maybe a nocturnal window-shattering spree directed against venerable LA Jewish delis Langer’s and Canter’s — a “night of broken glass,” as it were, and all for Palestine? Whatever ugliness our moral superiors on the red carpet devise, we’re sure it will be just as obscene.