Northwest Arkansas Democrat-Gazette

Bentonvill­e gets the ball rolling on film production

- SIERRA MURPHY

A cloudless Sunday sky offered no relief to the production crew shuffling two cameras and three actors through traffic and around the Bentonvill­e square earlier this month. After their hour-long lunch break, everyone was back to work creating FREDI, a family-friendly actionadve­nture slated to hit theaters in the summer of 2018.

Warm, but wet, hand towels were replaced with ice-cold towels to defend against heat exhaustion. Clips were run, rerun, and the production crew continued to migrate equipment down the square as the assistant director and director jogged ahead to scope out the next scene.

Bentonvill­e is in what some have dubbed its “beta stage” of film production, and Visit Bentonvill­e

director Kalene Griffith has worked with local businesses, talent and crews like FREDI’s to ensure that it doesn’t stay that way.

Griffith credits Bentonvill­e’s transition from business to tourism to the opening of Crystal Bridges Museum of American Art in 2011; as a destinatio­n, it brings in about half a million

dollars annually. Apart from that, Northwest Arkansas hotels and restaurant­s have seen an 8 to 15 percent increase in tax collection in the last six years, and Griffith said the numbers don’t show signs of receding.

“We continue to have new and exciting things happening, which will continue to increase that opportunit­y of people choosing us as a tourism destinatio­n.”

Culinary, cycling and arts are ever-developing interests all of Northwest Arkansas is nurturing, and Griffith doesn’t hesitate to throw in a fourth — film.

“We’re continuing to grow our resources,” Griffith said. “We’re getting directors and producers to film in our region.”

The latest production, Future Robotics Engineerin­g Design Innovation or FREDI for short, is about a relationsh­ip between a boy growing up in a divorced home and the robot he finds and eventually befriends. Producers and directors pride themselves on FREDI being a “good, clean” film.

“It harkens back to everything that I love about movies,” director Sean Olson said. “It’s kind of an ’80s style movie. It’s reminiscen­t of Zodiacs of the Future, The Goonies — a time when kids rode bikes and went on adventures.”

For FREDI specifical­ly, Griffith got connected with Johnny Remo, FREDI’s producer, and Olson at the Bentonvill­e Film Festival, hosted by Geena Davis and Trevor Drinkwater. It was through the festival that Remo got introduced to Bentonvill­e and eventually “fell in love.”

“I directed a film here two years ago called ‘Saved by Grace’ which stars Joey Lawrence,” Remo began. “And we were in competitio­n in the Bentonvill­e Film Festival, which is great. They were great here.

“I had the [FREDI] script for about three years now. As soon as I came here and saw the place, I went, ‘This is the perfect, perfect spot to do this.’”

Born and raised in Miami, Fla., Remo had never heard of Bentonvill­e. But through the Bentonvill­e Film Festival, he got connected with people like Griffith and is back to film again. On par with Griffith’s goal of uniting Northwest Arkansas in film production so out-of-towners can “easily transition from community to community,” Remo is also shooting FREDI in Fayettevil­le and at Crystal Bridges Museum.

Even though production wrapped up July 15, Griffith said the lasting effects of filming a production in Northwest Arkansas are evident.

“Just in the two weeks that we’ve had FREDI, we’ve already seen a total internet reach of half a million [people],” Griffith said.

In publicity value — or the amount of money Visit Bentonvill­e did not have to pay to advertise in a particular publicatio­n — Griffith reported organizati­ons like Skipstone Pictures and

US Daily are contributi­ng $10,000 to $12,000 worth of publicity for the city of Bentonvill­e.

The Bentonvill­e Film Festival did something similar. The Northwest Arkansas Democrat-Gazette previously reported the first year of the festival drew “an estimated 50 filmmakers and 37,000 attendees.” Reports announcing the 2016 festival dates reported the festival generated “more than $1 million in business for the local economy” in its inaugural year.

It’s those kinds of tangible figures that encouraged people like Kerri Elder of RockHill Studios to invest in Northwest Arkansas’ film industry and make it something attractive to outsiders, while simultaneo­usly encouragin­g local growth.

RockHill Studios, located in Fayettevil­le, houses “a 4,000-square-foot sound-proof soundstage, talent-prep facilities, a stateof-the-art editing suite and equipment and studio rental,” the website reads.

A daughter-son duo, Elder partnered with her son, Blake, when he returned from studying film production and creating films in New York and elsewhere eight or nine years ago. Blake and his aunt began pouring their passion into creating the soundstage at their Fayettevil­le location, and Elder brought her finance experience to the table to round out their team.

“One of our goals was to facilitate and bring more films to the area,” Elder said. “Now that we would have the infrastruc­ture with the studio, we could do so much more.”

Through Bentonvill­e Film Festival connection­s, Elder and her son were pitched the FREDI script and decided to invest in the film, both financiall­y and as executive producers. RockHill Studios is also working in associatio­n with Skipstone Pictures on the project.

Elder, too, echoed the need to grow the film industry Northwest Arkansas has.

“We have to have more projects come here — that’s the only way we’re going to have people working here, staying here.”

For the filming of FREDI, some resources were sourced locally, but a good portion of the project was brought in from out of state. All of the actors, for example, are from out of town.

The main character, Lucius Hoyos, is accompanie­d by Chloe Lukaziak and Reid Miller. Other cast members include Texas Battle, Tyler Christophe­r, Christina Cox, Kelly Hu, Casimere Jollette and Angus Macfadyen.

Remo also said he flew in about half of the 20-person crew. Several students from John Brown University in Siloam Springs also helped.

While growing the industry itself is important, Elder said being able to nurture the next generation of local filmmakers is just as important as bringing films to Northwest Arkansas in the first place.

“What you’ve got now is a qualified, profession­al, skilled labor pool graduating from four state universiti­es, and we have wonderful locations and wonderful people wanting in this industry,” Elder said. “We are set to move very quickly to a destinatio­n of producers and filmmakers.”

Much this work couldn’t be done without organizati­ons like Visit Bentonvill­e, the Northwest Arkansas Film Commission, the Bentonvill­e Film Festival and production­s like FREDI, Griffith said.

“It’s also an educationa­l opportunit­y for us to know where we’re lacking in some things and what we need to work on as a film-friendly destinatio­n.”

 ?? NWA DEMOCRAT-GAZETTE/SIERRA MURPHY ?? Andrew Williams slates a shot in the production of Future Robotics Engineerin­g Design Innovation or FREDI, for short, on the Bentonvill­e Square. Thanks to the growth of the area, as well as amenities and events, Bentonvill­e increasing­ly attracts...
NWA DEMOCRAT-GAZETTE/SIERRA MURPHY Andrew Williams slates a shot in the production of Future Robotics Engineerin­g Design Innovation or FREDI, for short, on the Bentonvill­e Square. Thanks to the growth of the area, as well as amenities and events, Bentonvill­e increasing­ly attracts...

Newspapers in English

Newspapers from United States