Northwest Arkansas Democrat-Gazette

History Goes Live

Shiloh Museum opens to visitors Sept. 7

- BECCA MARTIN-BROWN

It was Sept. 7, 1968, that the first iteration of the Shiloh Museum opened in the old library at the corner of Main and Johnson streets in Springdale. So it seems only appropriat­e that on Sept. 7, 2020, the museum will reopen after being closed more than five months due to covid-19 concerns.

“Just having visitors walk through our doors again is exciting in and of itself,” says the museum’s director, Allyn Lord. “While a museum is a preserver of history, it also offers that personal experience, when visitors are face to face with real history, real artifacts. You can do that online, but it’s not quite the same as an in-person visit.”

That doesn’t mean the staff has been idle while the doors have been

closed. Lord says everyone was in the middle of their usual spring tasks when the coronaviru­s surged into Northwest Arkansas. First on the list, then, was finding a way to make that programmin­g happen safely. “We usually serve a lot of students and teachers in April and May, so our field trips have since been made virtual,” she begins. Summer history camps also happened on schedule, but online. And two new exhibits, “Make Do” — based on the Ozarks tradition of “use it up, wear it out, make it do or do without” — and “Queen for a Day” — a look at fair queens, homecoming queens, pageant queens and more — were installed but also showcased in their entirety on the museum website.

That was just part of what observant patrons could see. There were also new virtual offerings, including Shiloh Shout-Out videos, Minute History videos and eNews staff activities, Lord says. Renovation­s were undertaken at the Searcy House. And new plantings and path work were installed along Spring Creek, joining the museum campus on Johnson Avenue with the Shiloh Meeting Hall on Huntsville Avenue.

Then there’s what happened behind the scenes. Staff started renovation­s on a duplex, purchased by the city for the museum in February, “including an exhibits shop, storage, offices and our new digitizati­on offices, including the renovation of a bathroom to a darkroom,” Lord says. A second duplex was purchased “through the generosity of the Tyson Family Foundation,” she adds, “marking the museum’s ownership of two of the four properties it needs for the full-city-block vision of the future museum.” There has also been “lots of grounds work, including increased emphasis on our monarch butterfly station and adding more milkweed and other attractant­s, planting numerous Ozark chinquapin trees, helping to bring them back after their blight in the 1960s, and taking down a tree which had died from the ivy that took it over, which resulted in exposing the original well from the community of Shiloh,” Lord continues.

“We also began last spring proactivel­y collecting artifacts, images and personal accounts of the pandemic,” she adds. “Acquiring objects from present-day is always difficult, as hindsight usually gives better perspectiv­e. But if artifacts aren’t collected now, they may not be available in the future. So we’ve added to our collection­s artifacts like signs and masks, of course, but also images of covid testing, empty store shelves, people wearing masks, seniors in nursing homes and closed businesses.

“The artifacts and images include those representi­ng all sorts of people in Northwest Arkansas, including children and seniors, the Latinx and Marshalles­e population­s so adversely affected, the medical community and those who’ve become unemployed,” she enumerates. “And we’d welcome anyone with a story, artifacts or images related to the pandemic to contact us about a possible donation.”

Now it’s time for the doors to reopen — based on “CDC’s covid-19 guidelines, Arkansas and Northwest Arkansas covid-19-related statistics, recommenda­tions by the Arkansas Health Department, directives by the city of Springdale and anecdotal reports of the public’s comfort level for re-engaging,” Lord says. “As much as possible, we’ve tried to keep the Shiloh Museum experience as varied, interestin­g and fun as in pre-covid days. But we live with the realities of the coronaviru­s, so there are some changes that will affect everyone who visits, for their protection and that of the museum staff and volunteers.”

That means guidelines that include required face masks, a limited number of visitors at a time, social distancing recommenda­tions, the continued closure of the museum store and all historic buildings and the temporary removal of all hands-on displays.

Also important to know is that some events will remain online only, among them school education programs, Sandwiched In lectures and Shiloh Saturdays. Lord says the Ozark Quilt Fair, in its 42nd year, will debut on the museum’s website on Sept. 12 — “the same second-Saturday in September we traditiona­lly hold the fair.”

“Folks have sent in a photograph of one of their quilts, along with the quilt’s pattern and history,” she says, and the display at ShilohMuse­um.org will include clickable music from the Roving Gambler Band. “It will almost be like our annual quilt fair!”

Also, Lord says, look for the museum’s initiative, launching soon, responding to the George Floyd murder and the resulting Black Lives Matter protests.

 ?? (Courtesy Photo/ Shiloh Museum) ?? ‘Settling the Ozarks’
Curator: Marie Demeroukas In preparatio­n for its 50th birthday in September 2018, the Shiloh Museum of Ozark History’s staff completely renovated the galleries. The first one completed was “Settling the Ozarks,” curated by Marie Demeroukas, a look at the people who came to Northwest Arkansas from the 1820s to 1860. Back then, Demeroukas says, “this area was the nation’s western border. If you wanted to live, you had to work hard — very hard — to clear land, plant crops, build a home, and make the many things needed for everyday life. I wanted to show visitors what it took to cook and preserve food, to make cloth and wash clothes, and to fashion furnishing­s back in the days before superstore­s and home delivery. The artifacts from that time are so cool, and many are displayed within the walls of an 1841 log cabin in as natural a setting as we could make.”
(Courtesy Photo/ Shiloh Museum) ‘Settling the Ozarks’ Curator: Marie Demeroukas In preparatio­n for its 50th birthday in September 2018, the Shiloh Museum of Ozark History’s staff completely renovated the galleries. The first one completed was “Settling the Ozarks,” curated by Marie Demeroukas, a look at the people who came to Northwest Arkansas from the 1820s to 1860. Back then, Demeroukas says, “this area was the nation’s western border. If you wanted to live, you had to work hard — very hard — to clear land, plant crops, build a home, and make the many things needed for everyday life. I wanted to show visitors what it took to cook and preserve food, to make cloth and wash clothes, and to fashion furnishing­s back in the days before superstore­s and home delivery. The artifacts from that time are so cool, and many are displayed within the walls of an 1841 log cabin in as natural a setting as we could make.”
 ??  ?? Judy Eoff, Miss Decatur Barbecue 1956, is crowned by musician Leon McAuliffe in this photo taken in Decatur on Aug. 2, 1956. The photo is part of an exhibit at the Shiloh Museum of Ozark History titled “Queen for a Day,” which also has the distinctio­n of having premiered online. Now that the museum is reopening, visitors can see the exhibit there. See more photos with the story at nwadg.com/whatsup. (Courtesy Shiloh Museum of Ozark History / Northwest Arkansas Times Collection (NWAT Box 5 56-8.49)
Judy Eoff, Miss Decatur Barbecue 1956, is crowned by musician Leon McAuliffe in this photo taken in Decatur on Aug. 2, 1956. The photo is part of an exhibit at the Shiloh Museum of Ozark History titled “Queen for a Day,” which also has the distinctio­n of having premiered online. Now that the museum is reopening, visitors can see the exhibit there. See more photos with the story at nwadg.com/whatsup. (Courtesy Shiloh Museum of Ozark History / Northwest Arkansas Times Collection (NWAT Box 5 56-8.49)

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