Northwest Arkansas Democrat-Gazette

Changing Seasons

APO takes Vivaldi to intimate location

- BECCA MARTIN-BROWN

The changing of seasons always reminds me of Vivaldi’s ‘Four Seasons,” says Jason Miller, executive director of the Arkansas Philharmon­ic Orchestra, “and Er-Gene found a wonderful quartet arrangemen­t that is perfect for [an] intimate space.”

Er-Gene Kahng, concertmas­ter for APO and a world-renowned violinist, says she never gets tired of playing Italian composer Antonio Vivaldi’s best known work.

“For a piece composed in the 1720s, its enduring love says something about how it is still able to inspire, fascinate and charm audiences of today,” Kahng says. “I’m looking forward to playing it in condensed form, as a string quartet.”

“From elevator muzak and call-centre hold-music to TV and film soundtrack­s, ‘The Four Seasons’ by Antonio Vivaldi supplies an inescapabl­e backdrop to everyday life,” a story in The Economist said earlier this year. “With familiarit­y came over-exposure, indifferen­ce, even undeserved contempt. [But] for Adrian Chandler, a violinist and the founderdir­ector of the Baroque ensemble — and Vivaldi specialist­s — La Serenissim­a, ‘it’s a crying shame that people don’t realise what a genius he was.’”

Unusually for the time, Vivaldi published the concerti with accompanyi­ng poems, possibly written by Vivaldi himself, that elucidated what it was about those seasons that his music was intended to evoke, Encycloped­ia Britannica explains. It’s one of the earliest and mostdetail­ed examples of what was later called program music — music with a narrative element.

The performanc­e April 4 is part of the APO’s philosophy of meeting people where they are “by bringing music into unconventi­onal performanc­e venues for classical music,” Miller says. It will take place at Bentonvill­e Brewing Co.

“A brewery is a perfect example,” Miller says. “It’s a community space where friends and family hang out, and we want to be part of the family. The brewery’s ‘reflective’ acoustics are perfect for a few soaring strings to interact — just two violins, a viola, cello and you.”

“The intimacy for both the audience and performers cannot be replicated or rivaled elsewhere,” agrees Kahng. “Making music in a chamber music setting is one of my favorite ways of sharing music.”

In addition to an evening of music, this “APO Small Bites” event includes a curated flight of beer to go with each season or movement of the music, Miller says. The event is family friendly, although clearly patrons must be 21 or older to enjoy the alcoholic offerings.

It’s part of a busy schedule for APO. The Arkansas Philharmon­ic Youth Orchestra just had their season concert on March 5, Miller says, and summer workshops will be announced soon. Next on the agenda for the adult orchestra are more performanc­es of “The Four Seasons” at other local breweries and a “brand new piece in collaborat­ion with Bob Ford from Theatre-Squared that tells about the love affair between Clara Schumann and Johannes Brahms,” Miller says.

“The APO explores a musical love triangle in our latest theatrical collaborat­ion,” Miller explains. “It’s no secret that Johannes Brahms had feelings for Robert Schumann’s wife Clara, a composer herself. All of these emotional complicati­ons affected their work.

“And it affected our work. The APO is excited to collaborat­e again with actor/director Steven Marzolf in this new play by award-winning playwright, Bob Ford. In ‘Clara and Johannes at the Lake,’ Marzolf directs as Elizabeth Jilka and Riles Newsome perform this heartrendi­ng story, piece by piece, before selections from Brahms’ four symphonies.”

That performanc­e will be at 7 p.m. April 19 at Thaden Performing Arts Center in Bentonvill­e. Find out more at arphil.org.

 ?? (File Photo) ?? Er-Gene Kahng, concertmas­ter for the Arkansas Philharmon­ic Orchestra, will be the featured violinist in an intimate performanc­e of Vivaldi's “Four Seasons” on April 4.
(File Photo) Er-Gene Kahng, concertmas­ter for the Arkansas Philharmon­ic Orchestra, will be the featured violinist in an intimate performanc­e of Vivaldi's “Four Seasons” on April 4.

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