Northwest Arkansas Democrat-Gazette

Arkansas far more than image of hillbillie­s painted by early visitors

- CURTIS VARNELL

Traveling across the state, one is amazed by the beauty of the Natural State and what it has to offer. Larger, well-developed metropolit­an areas such as Fayettevil­le, Jonesboro and the Little Rock area interspers­ed with smaller towns and rich farmlands serve to remind us that we are far removed from the backward hillbilly image by which we have frequently been portrayed. That image, perhaps fomented by some of our earliest historians, has survived to the present time.

Thomas Nuttall, an English born naturalist, visited and chronicled some of the state’s earliest history. The title of Thomas Nuttall’s book, “A Journal of Travels into the Arkansas Territory during the year 1819, with occasional Observatio­n of the Manners of the Aborigines,” suggest that he might not have been overly impressed with the people and culture he encountere­d.

Arriving at Arkansas Port, Nuttall vividly described the squalor and general backwardne­ss of the inhabitant­s. The village had 30 or 40 houses and a few stores occupied by poor and improviden­t people who were proceeding slowly in any efforts of improvemen­t. He went on to say that nature had done so much but the people so little that it was difficult to determine the value and resources of the land. The homes were open galleries, totally unacceptab­le and destitute of comfort for winter. His descriptio­n of the population certainly fits the typical hillbilly image: “It is to be regretted that the widely scattered state of the population in this territory is but too favourable to the spread of ignorance and barbarism. The means of education are, at present, nearly proscribed, and the rising generation are growing up in mental darkness.”

As he proceeded up the Arkansas River, Nuttall’s perspectiv­e did not change. He ran across rough frontiersm­en, thieving Indians, and hired a guide who, he discovered later, had murdered a man for his property. At Cadron, present day Conway, he got stuck for days in a poorly constructe­d tavern where men gambled and drank day and night while cold January winds blew through the many cracks between the log walls. “Every reasonable and rational amusement appeared here to be swallowed up in dram drinking, jockeying, and gambling,” he grumbled as he described the location.

Further up river, he discovered coal layers in the cliffs near Spadra, described some of the beauty of the natural surroundin­gs and created several painting of Nebo Mountain (which he misnamed Magazine) and of Cavanal Mountain near Fort Smith. Encounteri­ng ticks, malarial fever, and warring Indian tribes, he eventually journeyed back to England, where he composed his widely read, and generally negative, views of the inhabitant­s of Arkansas.

Henry Schoolcraf­t, another journalist and Arkansas visitor stated, “in manners, morals, customs, dress, contempt of labor and hospitalit­y, the state of society is not essentiall­y different from that which exists among the savages.”

Further compoundin­g the state’s appearance as populated by hillbillie­s, Sanford Faulkner, supposedly traveling with Archibald Yell, Ambrose Sevier, and perhaps Albert Pike, stumbled across a log cabin occupied by a squatter in the Boston Mountains. From that encounter, the Arkansas Traveler story and song depicting the typical Arkansan became a part of our state’s lore and image.

Arkansas has long struggled with the perception of being backward uneducated. Although far from perfect, when you travel our state today, you enjoy enough forests, mountains and streams to appreciate the Natural State while passing the new business and industry that makes us a thriving, progressiv­e Arkansas.

Curtis Varnell, Ph.D., is a longtime teacher in the area, the author of several books on local history, a regular columnist on that topic and the science and social studies coordinato­r for the Guy Fenter Education Service Cooperativ­e at Branch. Email him at curtis.varnell@wscstarfis­h.com.

 ?? (Courtesy Image/Butler Center for Arkansas Studies, Central Arkansas Library System) ?? Edward Payson Washburn painted the image of the “Arkansas Traveler” in 1856, from a story he heard from Colonel Sandford C. Faulkner.
(Courtesy Image/Butler Center for Arkansas Studies, Central Arkansas Library System) Edward Payson Washburn painted the image of the “Arkansas Traveler” in 1856, from a story he heard from Colonel Sandford C. Faulkner.
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 ?? ?? Thomas Nuttall
Thomas Nuttall

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