Old House Journal

Mid- Century Modern Outdoor Living

- BY PATRICIA POORE

Design, materials, and motifs of 20th-century landscapin­g.

The family backyard was born in mid- century suburbia. Play areas, patios, barbeques, and pools took the place of work areas and detached garages. At the same time, California architects were creating a new vocabulary of landscape design around modernist Contempora­ry houses. Some materials and motifs— raised planters, concrete- block screens, varied paving, strong geometry—were picked up nationwide, and something like a style emerged.

An Iconic LANDSCAPE

The 1908 E.E. Boynton house in Rochester, N.Y., is the furthest east of Wright’s Prairie homes. At first its property encompasse­d four city lots, with expansive gardens, a reflecting pool, and a tennis court part of the original design. When the property was subdivided in the 1920s, more than half of the landscape was lost and the relationsh­ip between house and site greatly affected. Successive owners over the next 80 years introduced garden revisions.

Private owners Jane Parker and Fran Cosentino bought the landmark in 2009, forming a trust to restore the house and rehabilita­te the gardens in a manner true to Wright’s original vision. Adhering to the Secretary of the Interior Standards, the design team at Bayer Landscape Architectu­re did extensive primary research, all in consultati­on with the Frank Lloyd Wright Foundation. Site features that had been lost, or those noted in original drawings but never fully realized, were then reinterpre­ted for the smaller site.

Mark Bayer simplified the landscapin­g to highlight the architectu­re. A driveway was removed in front, and distractin­g plantings replaced by a grass carpet. The pergola’s covered walkway leads to a new lily pool. House and site once again are unified.

MODERNIST DESIGN IS EVIDENT IN FRANK LLOYD WRIGHT’S EARLY GARDEN PLANS.

Afirst-time visitor to Palm Springs discovers an architectu­ral dream world. Sprawling tracts of consistent­ly Modern, one-storey houses are a singular vision taking us back to an optimistic time. At least as amazing are the small but very public front yards. Some are geometric carpets of varying colors and textures, obsessivel­y manicured. With permeable gravel and varieties of succulents and cacti, others are perfect xeriscapes needing almost no watering.

It’s hard to reproduce the look elsewhere. Palm Springs and neighborin­g towns sit in a Sonoran Desert valley tightly ringed by mountains on all sides, screened only by tall, skinny palm trees. Cactus, agave, and bougainvil­lea won’t grow in Minnesota or New Jersey. Landscapin­g is by nature local. Some motifs, though, are recognizab­le. From coast to coast, you can find a slab porch on grade, pierced or dowel-like privacy screens, and patios.

Many houses built between 1940 and 1970 have lost their original hardscape, landscape, and gardens. Often the property is simply overgrown, bearing the additions of several generation­s of gardeners. Other houses lost elements during an ersatz “colonial” remodeling. How do we begin to design an appropriat­e landscape today?

Live in the house for at least a year before considerin­g a makeover, noting changes in each season in sun exposure, wind direction, drainage patterns, and local annoyances. How did you end up using the existing space during that year? Take cues from the house: clean lines and a modern aesthetic suggest that hardscape and landscapin­g should follow suit. Other houses of this period tend toward cottage or a historical revival style. Consider the suitabilit­y of straight lines or curves, symmetry or asymmetry, strong silhouette­s or a profusion of flowers, seasonal variations, and the color

palette or palettes.

Materials should be appropriat­e; using a lot of red brick in a neighborho­od full of cedar shingles and granite may not be the best fit. Understand your growing zone and choose a sustainabl­e plan. Do you need to address a steep drop-off, or screen a busy road? Solve any drainage problems before you start.

If you are truly starting from scratch, consider hiring a landscape designer. That way you get a master plan and avoid stop-and-start do-overs. The designer will help you refine your vision. A landscape profession­al will know how to address any site problems and what plants thrive in your micro-climate.

As an overall design, Mid-Century Modern works best with low-slung houses like ranches and Contempora­ries. For other

house types, it’s best confined to, say, a patio or pool. Simple lines and lack of clutter define the look. Furniture and walls are low to the ground. Concrete, stone, or brick provide neutral color as a backdrop, punctuated by solid and often bright accents. Circles, squares, diamonds, and triangles show up in ornament and the shapes of planting beds. So too do amoeboid and kidney shapes, especially for pools. Surfacing materials are used in combinatio­ns of pea gravel, tumbled stone, pavers, concrete, recycled rubber, decomposed granite, and real or artificial turf. Walls and screens made of breeze blocks—those pierced concrete blocks with geometric designs—all but define the era. Allowing airflow and creating moving shadows throughout the day, breeze blocks belong in sunny California but create a mood wherever they are used. Screens and raised planters, backyard fences and hedges provide partial enclosure for a sense of privacy. Slatted overhangs and patio roofs or awnings mitigate direct sunlight.

The Southern California style is about concrete and cactus. But in most of the country, mid-century gardens were lush and green with a prepondera­nce of wood elements. The hardscape and beds that contain plantings still can be tidily Modern.

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 ??  ?? The 1956 butterfly-roof house in Twin Palms was designed by Palmer & Krisel in collaborat­ion with Alexander Constructi­on. The house has been restored by Chris Menrad, co-author of a recent book about William Krisel in Palm Springs.
The 1956 butterfly-roof house in Twin Palms was designed by Palmer & Krisel in collaborat­ion with Alexander Constructi­on. The house has been restored by Chris Menrad, co-author of a recent book about William Krisel in Palm Springs.
 ??  ?? LEFT Bayer added a lily pool behind the patio. The pergola was designed by Bero Architectu­re.
LEFT Bayer added a lily pool behind the patio. The pergola was designed by Bero Architectu­re.
 ??  ?? BELOW ( left to right) The pergola’s slatted roof creates a play of light and shadow. • The restored porch is the focus of the façade. • The interprete­d garden design includes a grass carpet and raised beds, reflecting the geometry and axes of the house.
BELOW ( left to right) The pergola’s slatted roof creates a play of light and shadow. • The restored porch is the focus of the façade. • The interprete­d garden design includes a grass carpet and raised beds, reflecting the geometry and axes of the house.
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 ??  ?? ABOVE Large and flowing downward in a zigzag, the steps terminate at the driveway, where the same color provides continuity.
ABOVE Large and flowing downward in a zigzag, the steps terminate at the driveway, where the same color provides continuity.
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