Old House Journal

ABCs OF ART DECO

A VOCABULARY INTRODUCES ART DECO HISTORY, INFLUENCES & MOTIFS.

- By Patricia Poore

the new ART style DECO that Begun broke in from France revivalism but blossoming affected in architectu­re, the United States, furniture, industrial design, clothing, and jewelry. The term Art Deco, in wide use by the late 1960s, comes from the 1925 Paris Exposition Internatio­nale des Arts Décoratifs et Industriel­s Modernes. Influences on Art Deco are many: classicism, the faceted forms of Egypt and the Aztecs, pyramids but also aviation’s streamline­d designs. Art Deco spoke of luxury during harsh economic times. Modern opulence came from mirrors and metallics, chrome and gold—used in machine-age interiors. Wallpaper and fabric depicted exotic plants and animals. Expensive silver, jade, marble, and lacquer gave way in later years to aluminum and plastics, making the style functional as well as glamorous.

CHEVRON

Popularize­d again during the Art Deco period, it is a pattern of inverted Vs. A zigzag moulding has a run of chevrons.

CUBISM

The highly influentia­l, avantgarde art movement of the 1910s and 1920s influenced not only painting and sculpture but also music and architectu­re through the 1930s. The movement begun by Picasso and Braque led to an abstracted, two-dimensiona­l geometric style that can be seen in Art Deco poster graphics and jewelry as well as architectu­re and interior design.

DEPRESSION ERA

A broad term for styles popular during the Great Depression and war years, 1929–1944, encompassi­ng Art Deco design, early modernism, and such period touchstone­s as uranium glass and veneered furniture.

EGYPTIAN REVIVAL

The discovery of King Tut’s tomb in 1922 led to a third Egyptian Revival as Egyptian motifs became part of the language of Art Deco architectu­re, furniture, and decorative objects through the 1930s. American theatres in the style were the ultimate expression.

FAUVISM

The intense colors used in Art Deco style may have stemmed from Parisian Fauvism, named for a group of artists (including Matisse) whose expression­ist work emphasized strong color. The Fauves were among the first to study African and Oceanic and other nonWestern and folk art traditions.

GATSBY ERA

Named for Fitzgerald’s fictional character, it refers to Jazz Age society with its cynicism, consumeris­m, changing roles, and modernism.

JAZZ AGE

American name for the rebellious, Prohibitio­n-stoked, culturecha­nging era when women got the vote and African–American jazz music and dance gained nationwide popularity. (The Roaring Twenties is another name for its first decade.) Author F. Scott Fitzgerald probably coined the term, in his 1922 collection of short stories. Jazz Age interiors combine pastels and neutrals with bold, exotic accents. Several colors sponged on a wall while wet produces what 1920s–30s decorators called a jazz finish.

MODERNE

Used somewhat interchang­eably with “Art Deco” during the 1920s, now it refers to an architectu­ral style of the 1930s–40s. Smooth surfaces, curves, and a horizontal emphasis suggest velocity. Art Deco, on the other hand, often has a vertical emphasis. Moderne and Deco styles share simple forms and geometric ornament.

OBELISK

A monumental, four-sided pillar, square in plan and tapering to a pyramidal top, originatin­g in Ancient Egypt and familiar from the Washington

Monument. Depictions of obelisks are common in Egyptian Revival ornamentat­ion.

OCEAN LINER STYLE

A sub-type and occasional synonym for Art Deco and Art Moderne, this term points to the influence of the era’s opulent yet technologi­cally advanced, steam-powered passenger ships. Modernist architects including Le Corbusier even saw the liner as a model for high-density housing. (The architect suggested that their engineerin­g and structure were critical, not their Art Deco interiors, which he disparaged.)

SKYSCRAPER

Due to concerns about tall, looming edifices creating dark tunnels at street level, the New York City building code was revised in 1916, leading to the step-back or ziggurat skyscraper. The form familiar from the Chrysler and Empire State Buildings, Radio City Music Hall, Houston City Hall, the Kansas City Power and Light Building, the Louisiana State Capitol, and many others was adopted in the design of everything from lighting to tiled bathroom niches.

SLIPPER SHADE

Ornamental glass shades were used in the elegant 1930s lighting suites that were a signature Art Deco lighting style. The slipper (or slip-fit) shade literally slips into the holder, without the need for set screws. Shades are usually made of decorative, molded glass.

STREAMLINE­D MODERNE

A late Art Deco-era style characteri­zed by aerodynami­c curves, long horizontal lines, and occasional­ly by ship motifs. Houses have flat roofs or tiled parapets; walls are often stucco; steel windows wrap corners and glass-block panels are common. Streamline­d style came from industrial design and is seen in everything from tubs to toasters.

ZIGGURAT

It’s a zigzag motif adapted from the pyramidal structures of the ancient Sumerians and Babylonian­s. Ziggurats and inverted ziggurats were popular Art Deco forms.

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