Old House Journal

RESPECT THE BONES, THEN DO YOUR THING

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Preservati­on essentiall­y means “let it be.” Keep in mind the difference between that which is permanent (ripping out the staircase) and what is ephemeral (adding a modern light fixture). Not that it’s always quite so clear; painting over original, natural-finish mahogany woodwork for the first time in 160 years comes to mind! That’s reversible, but only after hard work and environmen­tal impact. Do no harm, then decorate as you wish.

Many decorators gravitate toward trends, rather than considerin­g timeless qualities that have staying power. This book gives you a head start on alternativ­es—materials and furnishing­s rooted in the past, but often adapted for modern taste and use. You may discover here a material that your roofer or hardware-store clerk insists “isn’t made anymore.” From wide-plank floors to true linoleum, primitive stencils to Arts & Crafts pendant friezes, big porcelain farm sinks to Sputnik chandelier­s: Yes, they still make it! In the last chapter, we even list maintenanc­e and retrofitti­ng options, from compatible wood epoxies to small-duct air conditioni­ng.

Once you can recognize the elements that define the interior and lend scale, you’ll have a good idea of what may fit your house. You’ll avoid doing things that clash with the underlying architectu­re —a misstep that’d make the next owner itch to remodel yet again.

 ??  ?? left Designer Deborah Mariotti juxtaposed Bertoia Diamond chairs ( knoll. com) and a modern but in- scale bubble chandelier with a carefully preserved brownstone interior. bottom The contempora­ry interior of this once- vacant 1900 house retains its staircase and trim.
left Designer Deborah Mariotti juxtaposed Bertoia Diamond chairs ( knoll. com) and a modern but in- scale bubble chandelier with a carefully preserved brownstone interior. bottom The contempora­ry interior of this once- vacant 1900 house retains its staircase and trim.

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