Old House Journal

RESTORING REST HARROW IN ARDEN

- By Sadie Somerville

Refurbishi­ng an Arts & Crafts cottage designed by William Lightfoot Price, noted architect and founder of utopian communitie­s.

This little gem is an original cottage designed by Will Price in the Arts & Crafts enclave of Arden, Delaware. My husband, Rodney Jester, and I were so taken by it, we joined in its restoratio­n, along with our friend Dink Pompper, who lives next door to the cottage.

Built ca. 1912, the cottage was basically all still there, quite neglected but unchanged. Rodney says that the best thing about the house was that it was untouched—which was also the worst thing about it! The original, main house is a mere 18' x 18'. During the 1930s or ’40s, a 10' extension was added at the back for a small kitchen and bath. Features that make the cottage unique include carved stucco, inlaid Moravian tiles, original Arden Forge door hardware, and leadedglas­s windows made by Arden artisan Elena Darling. The fireplace has local fieldstone and handmade brick. The name of the cottage is Rest Harrow, which had been carved into wood over the front door.

All of these details are mentioned in Will Price’s book Model Homes for Little Money (Curtis Publishing, 1898).

We made the cottage habitable, replacing or adding mechanical, heat, and electric systems. Rodney is a retired custom-kitchen contractor who has contacts with fine craftspeop­le. Dink and I scrubbed nicotine-stained plaster walls, then taped, primed, and painted. The original pine flooring was long gone, so we tore up the later concrete and carpeting and laid new pine flooring that matches what remained upstairs. We had to rebuild the later rear extension—its

floor had been below grade and suffered from flooding—and added modern amenities. It was in any event not original.

The village of Arden, in Delaware, is an intentiona­l community founded in 1900 by architect Will Price and sculptor Frank Stephens, on the philosophy of William Morris, on the 19th-century economic reform principles of Henry George, in tandem with the American Arts & Crafts movement and with the landscape designs of the Garden City movement. Arden is in North Wilmington, about 23 miles from Philadelph­ia.

During our work on the cottage, we all decided that we wanted a scholar to live in the cottage, our labor of love, and not treat it as a general rental. (Rodney and I live in another wonderful Arts & Crafts house.) Our first tenant was a graduate student at Winterthur, who was studying intentiona­l communitie­s after earning a degree in architectu­re.

 ??  ?? ABOVE With a 16th-century country aesthetic, the stuccoed cottage has been called a fairytale Tudor. The battened front door is original, as is all the hardware. PORTRAIT Sadie Somerville with fellow restorers Jester and Pompper.
ABOVE With a 16th-century country aesthetic, the stuccoed cottage has been called a fairytale Tudor. The battened front door is original, as is all the hardware. PORTRAIT Sadie Somerville with fellow restorers Jester and Pompper.
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 ??  ?? ABOVE (clockwise from middle left) Door hardware, hinges, knocker, and lighting were made at the Arden Forge. • A Tudor–Gothic arch frames the landing window. • Lit by a window in the dormer, the bedroom fits under the eaves.
ABOVE (clockwise from middle left) Door hardware, hinges, knocker, and lighting were made at the Arden Forge. • A Tudor–Gothic arch frames the landing window. • Lit by a window in the dormer, the bedroom fits under the eaves.
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