Old House Journal

the painted floor

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Paint adds color and lets the homeowner tie the floor into an overall decorative scheme. For solid colors, brown-red, grey, brown, and various greens have always been popular. Yellow ochre was a favorite for masking dust and pollen. Pale blue and white occasional­ly were used in New England during the late 1700s.

The most valued painted floors are the decorative ones—dating from the mid1700s through the mid-19th century. The painting might be freehand or stenciled, often in imitation of carpet designs. Within decorative borders, the middle might be embellishe­d with geometric diamond patterns, floral motifs, a chevron design, or a checkerboa­rd. Landscape and animal motifs as well as flower-petal, heart, or oak-leaf designs were used. Design often correlated with the style of the day: urns and swags during the Federal era, for example. The marbleized floor of the 19th century had painted geometric blocks in white, black, and/or grey “veined” to mimic marble. The treatment was popular for entry halls.

Today’s revival of painted floors has artists creating unique designs that include faux stone and wood-parquet patterns, faux carpets, plaid effects, “inlaid” compass roses, and the everpopula­r checkerboa­rd.

Decorative painting may add vibrant color, or approximat­e the look of multiple wood species. It can follow historical precedent or be modern; it might be a border or an all-over design.

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 ??  ?? ABOVE A plaid-painted floor adds even more charm to a blue-andwhite breakfast nook designed by Bailey Quin McCarthy. LEFT The hand-painted wood floor by Ariana Hoffman &
Co. is done in a modern black and metallic-gold, square grid pattern reminiscen­t of Greek key designs. A project for Alexis Varbero of Schwartz Design Showrooms, the floor is in the entry of a 1917 house in South Orange. N.J.
ABOVE A plaid-painted floor adds even more charm to a blue-andwhite breakfast nook designed by Bailey Quin McCarthy. LEFT The hand-painted wood floor by Ariana Hoffman & Co. is done in a modern black and metallic-gold, square grid pattern reminiscen­t of Greek key designs. A project for Alexis Varbero of Schwartz Design Showrooms, the floor is in the entry of a 1917 house in South Orange. N.J.

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