Orlando Sentinel (Sunday)

Through book, daughter honors father who photograph­ed D-Day

- By Pam Kragen San Diego Union-Tribune

Not long after Allied troops landed on Normandy’s Omaha Beach during the D-Day invasion on June 6, 1944, the first photograph­s from the French battlefiel­d were widely published in American newspapers, magazines and journals.

Those images were taken by U.S. Army 165th Signal Corps Capt. Herman V Wall, who was aboard one of the first landing crafts to reach the Easy Red Sector target zone amid a hail of bullets and deafening grenade and land mine blasts. Wall carried with him only his 35 mm Leica camera, a knapsack, a pistol and two canvas bags holding live carrier pigeons that he planned to send back to their home base with exposed rolls of film strapped to their bodies.

The carnage on the beach — where thousands of Allied troops died that day — was horrific, but Wall followed Army orders to keep dead bodies out of his photos. He snapped 13 black-and-white images of the packed landing vehicles motoring toward land and exhausted soldiers wading ashore. Then, as he raised his camera for another shot, everything went black. When Wall regained consciousn­ess, he realized his left leg had been blown off, but his camera — and the film that captured the earliest moments of a battle that turned the tide of World War II — were safe.

This vivid story opens the picture-filled book “Herman V Wall: Standing on One Leg,” published by Wall’s daughter, Kathy Wall Panatone, and her husband, Stephen Peck. The couple assembled the book by combing through thousands of photograph­s, negatives, documents and

personal items she inherited from her dad, who died in 1997 at age 91.

Panatone, 71, said the book is a labor of love to her father, whose patriotism and bravery in the early hours of D-Day inspired others in his company to forge ahead. But it’s also a tribute to the man Wall became after the war. With the aid of a full leg prosthetic, he went on to a long, illustriou­s and adventurou­s career as a commercial photograph­er.

“He saw the worst on Omaha Beach, but he spent the rest of his life photograph­ing beauty,” Panatone said, adding that Wall used the first initial of his middle name with no period as his photograph­ic signature.

In 1947, Wall shot the first color photos published in Time magazine. In the 1950s, he traveled through the Middle East photograph­ing remote villages, historic sites and Indigenous peoples for a library educationa­l resources project. In 1964, Wall was named to Eastman Kodak’s list of the top 10 photograph­ers in America. In the 1960s and 1970s, he became nationally known for his commercial floral photograph­y. In 1974, he photograph­ed a ranch’s last cattle drive in the

High Sierras.

In the 1970s, Wall also began volunteeri­ng with the Mutual Amputee Aid Fund, a peer-to-peer support group for people with limb loss.

“He stood tall and proved that even on one leg, he could continue working as a photograph­er right up to the end of his life,” said Peck, 74. “He stood proud his whole life.”

During the war years, Wall photograph­ed training exercises by the Army’s 1st Cavalry Division at Fort Bliss, Texas, which was later sent to the Philippine province of Bataan, where all the horses and many of the men died. While stationed at a military training base in Chipping Sodbury, England, Wall met Britain’s Queen Mary in February 1944. Two months later, Wall’s unit began secret training for D-Day.

In keeping with government policy, Wall’s D-Day images were published only under the name of the U.S. Army Signal Corps. But in 1949, Wall was honored to receive a hand-inscribed copy of Gen. Dwight Eisenhower’s war memoir “Crusade in Europe,” in which the future president wrote a personal note saluting “the man whose gallantry on D-Day was outstandin­g on a field when gallantry was the rule.”

Panatone said her goal is to find museums and universiti­es interested in adding Wall’s photos and negatives to their archives so that his contributi­ons to American photograph­y will be preserved and remembered.

“I thought my father was Superman. Isn’t that what many little girls believe?” Panatone wrote in the book’s introducti­on. “In the end, he was truly a super man, whose life and work will inspire anyone who reads his story.”

 ?? ?? ‘Herman V Wall’
By Kathy Wall Panatone and Stephen Peck; AuthorHous­e, 98 pages, $43.99.
‘Herman V Wall’ By Kathy Wall Panatone and Stephen Peck; AuthorHous­e, 98 pages, $43.99.

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