Director Malcolm D. Lee riding high on ‘Girls Trip’

When Malcolm D. Lee was a youngster, he didn’t really know if being a filmmaker was possible.

At that point, no one in his family was in the business, and what constituted “film” to him were massive feats like “Raiders of the Lost Ark,” “E.T. the Extra-Terrestrial” and “Star Wars.”

And none of those were made by black people.

Then he watched his cousin Spike go from living in his parents’ basement to becoming one of the most talked about directors in the industry with films like “She’s Gotta Have It,” “School Daze” and “Do the Right Thing.”

By the time the younger Lee was 19, it was decided. He, too, would make movies. But his cousin gave him an important directive that truly stuck with Malcolm.

“Make film,” Spike would constantly say, signing a poster or a book as he became more famous. “Make black film.”

And so Malcolm did and has been doing so since 1999’s “The Best Man.” In the 18 years that have passed, he’s directed seven additional films, most with predominantly black casts.

His ninth picture, “Girls Trip,” continues this trend. And this time it’s an ode to black girl magic.

“The films that I’ve done do appeal to black women,” he said, “but here’s an opportunity for black women to tell the story, for them to be the leads and tell it the way they want to see it, the way they see themselves.”

“Girls Trip” follows four best friends from college reuniting after some time apart for a trip to the Essence Music Festival in New Orleans.

Starring Queen Latifah, Jada Pinkett Smith, Regina Hall and Tiffany Haddish, who deserves a Melissa McCarthy-style breakout for her hilarious antics in the film, the picture, perhaps for the first time, puts four black women at the center of a buddy comedy. What results is a laugh-out-loud good time projected to be the most successful comedy of the summer.

The film was the brainchild of mega-producer Will Packer of the “Ride Along” franchise and “Straight Outta Compton.” Inspired by the types of movies, “usually with white guys; they go off and have a fun trip and behave really badly,” he said, he thought about staging something similar “with some chocolate girls,” actresses like Hall, whom he had worked with in “About Last Night” and the “Think Like a Man” movies.

After running the idea by Hall, who thought it sounded “fun,” he approached Lee shortly after the “Best Man” sequel, “The Best Man Holiday,” premiered in 2013. (Hall also starred in “Best Man Holiday.”)

“I loved what he had done with ‘Best Man Holiday’s’ ensemble cast and the strong female characters,” Packer said, thinking this would be a great chance to finally collaborate. “And he had broad audience appeal.”

Lee “loved” the idea, reteaming with “Black-ish” showrunner Kenya Barris and “Survivor’s Remorse” writer Tracy Oliver, who together penned his 2016 flick “Barbershop: The Next Cut.”

Then it came time to cast. Both men wanted Hall at the ensemble’s center.

They were able to nab Latifah and Pinkett Smith, the duo’s first on-screen pairing in 20 years since 1996’s “Set it Off,” purely out of the two’s shared interest in the script.

Rounding out the cast is Haddish, an up-and-coming comedian who Lee, Packer and Packer’s business partner James Lopez had seen on “The Carmichael Show.”

She was the “fearless,” as Lee described her, and unpredictable spice needed to complete the foursome.

“Malcolm and I wanted the couth, articulate, wellmannered and high-powered (woman), but also the down to earth, ’round the way girl,” said Packer. “We wanted the ultra bougie and the super ratchet.”

And setting “Girls Trip” at Essence, a real-life music festival — where they filmed on location last year —celebrating black womanhood and black excellence, hosted by one of the leading black women’s magazines, was the fingerlicking icing on the cake, giving the movie an added level of authenticity.

But as with any movie in which black people are centered, Lee knows there will be some critics in the community who think some of the picture’s representations to be problematic or stereotypical. He’s seen it firsthand with just about every movie he’s done. He responded in advance:

“To those detractors that say we shouldn’t be portrayed that way… well to whom? Who are we afraid of at this point? (Donald) Trump’s in office. They don’t give a … about us. White people certainly don’t care how you look. They don’t care nothing about that.

“And as far as black people are concerned, we’ve been so conditioned to be like, ‘We gotta present ourselves the right way.’ And I am somewhat in agreement with that … (but) there’s a time and a place for everything, and this is a movie. This is fun, and this is black women telling their story the way they see themselves. Black girl magic is real, and everyone’s craving it right now.”