Orlando Sentinel

Deadly puzzles bring new thrills in lean, mean sequel

- By Katie Walsh

Adam Robitel’s 2019 B-movie horror flick “Escape Room” had all the auspices of a flash in the pan: early January release and a gimmicky premise based around a live entertainm­ent trend. “Escape Room” was just that: a series of high-stakes, life-or-death puzzles, but thanks to the cast and characters, plus a fantastic final girl in Taylor Russell, it worked.

Operating in the mode of the “Saw” and “Final Destinatio­n” franchises, there could be a long future for “Escape Room” movies, and the sequel, “Escape Room: Tournament of Champions,” even leaner and meaner than the first, proves the staying power of this budding series. There’s no other way to say it: This movie rips.

Previously on “Escape Room,” the smart, sad Zoey (Russell), broke her way out of the game and rescued Ben (Logan Miller) in the process. Now she’s determined to go after the dastardly Minos

organizati­on that runs the games that killed her friends, so the pals set off for New York to do some recon. They end up on an out-of-control subway car (shades of “The Taking of Pelham 123”) with what appears to be a group of strangers, though it’s quickly revealed that everyone has experience with Minos escape room torture.

This is the tournament of champions, and we get to jump right into the puzzles with clever, yet unwilling participan­ts.

Minos and its intentions are vague: They plan these lethal escape rooms for an audience of “customers” to watch, pitting groups of people against each other to see how it plays out — lone survivors, priests, influencer­s. It’s the same motivation­s that underpin dystopian stories like “The Most Dangerous Game,” “Battle Royale” and even “The Hunger Games,” so we don’t need to spend too much time on who these villains are or what they want. What we want to see is the victims puzzling together clues as the rooms rumble around them, deadly traps erupting as the clock counts down.

“Escape Room: Tournament of Champions” is a pastiche of its predecesso­rs, using this mosaic of tropes and formula familiarit­y as a shorthand to keep the film pared down to the basics of what exactly makes it tick: increasing­ly sadistic puzzles and a great cast of characters. The new players in Indya Moore, Holland Roden, Thomas Cocquerel and Carlito Olivero are fantastic additions.

But Zoey and Ben remain the heart of the blossoming franchise. Zoey is a soulful and sorrowful final girl in the style of Sidney from “Scream.” She wants justice and vengeance on Minos, but she’s so smart she can’t help but solve whatever puzzle is in front of her. Therein lies the pleasure of “Escape Room: Tournament of Champions,” where every participan­t is a Zoey type (they all won, after all). We’re in a strange paradox as viewers: Do we even want to see her escape? That would deny the satisfacti­on of watching her work. But it doesn’t seem like it’s coming to an end anytime soon, so that will happily remain a quandary for another day.

MPAA rating: PG-13 (for violence, terror/peril and strong language)

Running time: 1:28

Where to watch: In theaters Friday

 ?? SONY PICTURES ?? Thomas Cocquerel in “Escape Room: Tournament of Champions.”
SONY PICTURES Thomas Cocquerel in “Escape Room: Tournament of Champions.”

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