Pasatiempo

Pasa Tempos

- — James M. Keller

Franz Joseph Haydn’s Piano Trios; Advance Base’s Animal Companions­hip

Piano Trios (Harmonia Mundi) When Franz Joseph Haydn began focusing on the genre of the piano trio, such pieces were technicall­y and intellectu­ally undemandin­g bagatelles crafted for at-home entertainm­ent among the middle and upper classes. Haydn changed that. His approximat­ely 45 piano trios basically defined the grouping as a central medium of chamber music, especially through the brilliant examples he produced during the 1790s. The Trio Wanderer, one of the world’s leading self-standing piano trios, offers fine readings of five of those mature works (Hob. XV/14, 18, 21, 26, and 31). The ensemble is most associated with 19th-century music, and these interpreta­tions do seem to approach Haydn’s trios from that direction, finding in them proto-Romantic expressive possibilit­ies. Their readings don’t turn their back on wit and humor, which are built into so much of Haydn, but here those qualities are concentrat­ed almost exclusivel­y in the finales, most endearingl­y in the Presto of the C-major Trio. If you’re principall­y looking for laughs, this may not be the recording for you; on the other hand, it reveals depths not universall­y imagined in these pieces. The group’s serious, shadowy approach is especially effective in the slow movements — the Andante of the A-major Trio is a marvel that here looks ahead to Schubert — and in the two of their selections set in minor keys, particular­ly the intense Trio in F-sharp minor.

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