Pasatiempo

PAVAROTTI

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When Luciano Pavarotti died of pancreatic cancer in 2007, many opera lovers had mixed feelings. The tenor was only 71 and it hadn’t been so long since he was the reigning star of his generation, still giving magnificen­t performanc­es of his core repertoire into the 1990s. And he had always seemed to have a great lust for life, happy to indulge his love of food and, when he wanted to, his love of people, crowds, and all the adulation that came with being the most celebrated tenor since Caruso. The best thing about Ron Howard’s polished new documentar­y is its compassion for the man, who emerges

frail but not hollow, merely human and not the pathetic clown he so often seemed in his last decade. Using previously unseen video clips made by Pavarotti’s second wife, Nicoletta, and interviews with his first wife and their adult daughters, Howard encourages viewers to give Pavarotti the benefit of the doubt when it comes to his love life. It was always messy, as his first wife knew, and yet she seems to have forgiven him. Despite omissions, Pavarotti is still an occasion for reflection, and the picture it presents of the tenor is sufficient­ly rounded that those new to his artistry will likely be beguiled. Rated PG-13. 114 minutes. Center for Contempora­ry Arts. (Philip Kennicott/ The Washington Post)

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Burdens and servitude: The Third Wife, at Jean Cocteau Cinema

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