Pittsburgh Post-Gazette

‘Bad Grandpa’ capitalize­s on bad taste

- By Barbara Vancheri Pittsburgh Post-Gazette

It’s not surprising that Johnny Knoxville returns to his money-making franchise. Or that he pretends to be an 86-year-old widower traveling cross-country with his grandson in “Jackass Presents: Bad Grandpa.”

No, it’s astonishin­g that no one ever took a swing at him or another adult actor caught in his comic charade, especially when gramps disrupts male strippers, a tots-and-tiaras-style beauty pageant and confronts his faux son-in-law amid a bar full of hard-core bikers.

You could almost forgive him everything, from the fake funeral for his elderly wife to treating a grocery store as though it were a free buffet, but ruining someone’s wedding cake and pyramid of filled champagne glasses goes too far. I assume that was a real reception, just as everything else in the hidden-camera movie seems to be.

Mr. Knoxville appears in character throughout as Irving Zisman, who looks a little like Art Carney in his later years. Irving’s daughter is headed to jail, and he’s charged with taking 8-year-old Billy (Jackson Nicoll) to his derelict dad many states, miles and “Candid Camera” adventures away in Raleigh, N.C.

They never met an event they couldn’t corrupt with craziness, from bingo to mealtime in a restaurant where grandpa demonstrat­es a facility for flatulence and leaves his, uh, mud-colored mark on the wall.

Teaming Mr. Knoxville — always a better actor than this franchise ise would indicate — with young ung Jackson was inspired, and strangers don’t quite know what to make of the boy.

A preview ew audience frequently howled, and some of it is s funny in a shocking or juvenile uvenile way although, as s always, it leans too heavily avily on the sexual or scatologic­al. atological. Grandpa appearing pearing to disrespect a corpse, not funny; Billy pushing Grandpa andpa in a shopping g cart or bestowing ng a “stripper name” on a woman n at an adult book

store, funny.

And it’s a step up from the previous movies, which often were a collection of masochisti­c stunts, pranks and vomit inducing challenges to, for instance, drink horse semen.

But the movie ends up being a series of truncated episodes that abruptly cut away, as if the sketch were over or someone summoned the authoritie­s or the jig was up.

It’s surprising that so many people apparently didn’t object to their images being included (those who did have their faces obscured) and if you watch the closing credits, you’ll see how the real folks reacted when told they were unwitting extras in a Johnny Knoxville movie. Of course they are the ones demonstrat­ing good humor, not the ones who still think he’s a jackass.

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