Pittsburgh Post-Gazette

CYBER-CHORALE

Transnatio­nal ensemble coalesces arts and technology

- By Lauren Lindstrom Pittsburgh Post-Gazette

It’s a safe bet Bach never saw this one coming.

Sixty-four musicians positioned all over the world, clacking out one of his chorales on computers and filling the Rashid Auditorium at Carnegie Mellon University on Saturday afternoon with the sound of music.

Chirping, beeping, humming, music.

Together, the scattered musicians form the Global Network Orchestra, a performanc­e project spanning 20 time zones. Saturday’s concert was part of the Ammerman Center 14th Biennial Arts and Technology Symposium at Connecticu­t College. The weekend conference convened to consider “the intersecti­on of arts and technology.”

Call it the computer concerto. The iPhone overture.

Organizing the transnatio­nal ensemble are CMU computer science professor Roger Dannenberg and Tom Neuendorff­er, principal engineer at Carnegie Speech.

Mr. Dannenberg calls himself the orchestra’s semiconduc­tor, a nod to the project’s multidisci­plinary approach.

Inside the Rashid Auditorium, a handful of musicians on laptops accompanie­d drummer Janelle Burdell. Ms. Burdell, who was raised in Pittsburgh and taught at CMU, has performed around the world, including with Mickey Hart of

the Grateful Dead.

In a performanc­e that sounded part swelling organ hymn, part other-worldly electronic­a, musicians Saturday performed classical pieces and improvisat­ions. Mr. Dannenberg composed the opening song, “Prayer for Peace.”

A jazz trumpeter himself, Mr. Dannenberg said he loved mathematic­s and music for years before realizing he could combine them.

Now, he is a “computer music” enthusiast who, like the weekend conference, works to bridge the gap between technology and art.

The program collected the musicians’ contributi­ons and broadcast them together. A dozen people were in attendance at CMU and others were able to listen to the performanc­e’s livestream.

“It expresses the size of the orchestra and the size of the Earth,” he said.

Mr. Neuendorff­er, who used mandolin recordings to play Saturday, said it was “an interestin­g experiment” in the music.

“Everything is an instrument,” he said. “In this case, the computers really become just like another instrument.”

Weeks before Saturday’s performanc­e, players downloaded a computer program to record and upload sounds, ranging from vocals and traditiona­l orchestral instrument­s to electronic

“Everything is an instrument. In this case, the computers really become just like another instrument.”

— Tom Neuendorff­er

sounds of their own creation.

“It’s hard to describe,” Mr. Dannenberg said of the end result. “Everyone has their own sound. It’s not intended to sound like a symphony orchestra.”

Playing live is difficult due to connection delays. Sound can take up to a quarter of a second to travel and be heard by other players. Not bad for the 9,300 miles that separate Malaysia and Pittsburgh or the nearly 2,900 miles from Pittsburgh to Iceland. To compensate, musicians played slow-tempoed music that emphasized tone over precise rhythms.

Players logged on from all over the world, from places as far as Spain, Norway, New Zealand and Pakistan, and as close as Irwin and State College.

“It’s been my dream to have a global drum circle,” Ms. Burdell said. “It’s happening, it can evolve. It’s amazing to consider collaborat­ing with people you might never meet.”

Before the performanc­e, multiple rehearsal times accommodat­ed as many time zones as possible. Remember, noon in Pittsburgh is 2 a.m. in Japan.

Many in the group are “pretty experience­d computer musicians” found through friends of friends and colleagues, Mr. Dannenberg said, but also included musical and computer novices.

Notes and cues scrolled across performers’ computer screens much like the video game Guitar Hero, showing musicians the keys to hit.

For an improvised section, performers divided into four groups to create what Mr. Dannenberg calls “textual music,” layering a variety of sounds together.

“It’s about the concept that people all over the world could perform together,” he said. “The potential for community that could come about with all of the different cultures and languages, it’s powerful.”

 ?? Tony Tye/Post-Gazette ?? Percussion­ist Janelle Burdell plays a Zendrum during a digital concert by the Global Network Orchestra, a transnatio­nal concert with 100 musicians playing simultaneo­usly all over the world, Saturday at Carnegie Mellon University, one of the host sites.
Tony Tye/Post-Gazette Percussion­ist Janelle Burdell plays a Zendrum during a digital concert by the Global Network Orchestra, a transnatio­nal concert with 100 musicians playing simultaneo­usly all over the world, Saturday at Carnegie Mellon University, one of the host sites.
 ?? Tony Tye/Post-Gazette ?? Tom Neuendorff­er, principal engineer at Carnegie Speech, participat­es during the digital concert by the Global Network Orchestra on Saturday.
Tony Tye/Post-Gazette Tom Neuendorff­er, principal engineer at Carnegie Speech, participat­es during the digital concert by the Global Network Orchestra on Saturday.

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