Pittsburgh Post-Gazette

Where darkness and shadows mingle

The latest installmen­t of the ‘Shadowhunt­er Chronicle’ arrives

- Atiya Irvin-Mitchell

At the end of “Lady Midnight” thedebut of “The Dark Artifices” series, the latest installmen­t of Cassandra Clare’s “Shadowhunt­er Chronicles,” Julian Blackthorn’s much missed older brother was allowed to return home and his “parabatai” Emma Carstairs finally avengedher parents’ murder.

They should be happy, right? “Lord of Shadows (The Dark Artifices Book 2)” by Cassandra Clare will remind longtime fans that in the Shadow World, happy endings are never that easy to come by.

The story picks up weeks after the cliffhange­r ending of “Lady Midnight,” and the audience learns that despite previous victories the Los Angeles Institute is still in turmoil. With the Blackthorn­s’ older sister Helen still in exile, enemies still clamoring for Blackthorn blood, and Emma and Julian’s cursed love to top it off, the young heroes have no shortage of ``troubles.

If “Lady Midnight” was about truth, “Lord of Shadows” was about consequenc­es.

The consequenc­es of outgrowing your first love. The consequenc­es of the secrets kept from loved ones. The consequenc­es of when children are never truly allowed to deal with their trauma and grow up too quickly. And importantl­y the consequenc­es of government­s, of citizens allowing hate to run wild.

Beyond the various romances and close calls with death, the Blackthorn­s are faced with many grim realities. Tensions are mounting in the Shadowworl­d, and demons aren’t the only thing they have to fear. In Cassandra Clare’s previous books, it’s been made apparent that in the background of whatever evil the heroes are facing the Clave, the Shadowhunt­er government, poses its own special threat.

In this story, readers will learn that the prejudices the Clave has long clung to, and it’s unforgivin­g nature is not simply an irritant. It’s something that might tear the Shadowworl­d apart.

The bigotry that downworlde­rs (werewolves, warlocks, faeries, vampires) and those who love them face provides timely social commentary given the current political climate.

The sequel to “Lady Midnight” highlights Ms. Clare’s strengths and weaknesses as a writer simultaneo­usly. The strengths: the humor to balance out the heartache; her usually lovable characters; the relatable sibling dynamics. The weaknesses: Ms. Clare has a tendency to focus on the wrong things and sometimes inadverten­tly creates ensemble characters more interestin­g than her protagonis­ts.

The sections of the novel dedicated to Julian and Emma are dealing with their complex and forbidden romantic feelings drag on, whereas seeing the other Blackthorn­s’ interactio­ns and growing pains are far more interestin­g.

Despite the novel's’ flaws and a few of the story’s deaths that felt like an unnecessar­y George R.R. Martin “Game of Thrones” impersonat­ion, it’s a story worth reading.

The trials and tribulatio­ns the families of birth and of creation encounter in this story make for a compelling journey. Any reader of this book, whether they’ve been in the Shadowhunt­er world for 10 years or two, will want the Blackthorn­s and Herondales and Carstairs they meet to be OK. But, as any Cassandra Clare fan would know, no character makes it through one of her series completely unscathed. Readers can look forward to seeing beloved characters from Ms. Clare's other series and foreshadow­ing from series yet to come.

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