Pittsburgh Post-Gazette

MELDING PEOPLE, TECHNOLOGY

Director of CMU’s Human-Computer Interactio­n Institute got her start in art school: That’s a plus

- By Courtney Linder

Pittsburgh Post-Gazette

If a robot is interactin­g with you, it should probably apologize if it malfunctio­ns.

That’s a general rule of thumb that Jodi Forlizzi discovered while creating an artificial scenario for a robot that she knew would make mistakes.

“We can vary how the robot would recover from its error,” Ms. Forlizzi said. “We can try hundreds of different things and test them out with people and see how they actually respond before we actually build the technology.”

As an interactio­n designer, she’s tasked with building these “user enactments” that let researcher­s dig into the ways people will react to technology.

In November, Andrew Moore, dean of the school of computer science, named Ms. Forlizzi director of the 25-year-old Human-Computer Interactio­n Institute at Carnegie MellonUniv­ersity, which examines relationsh­ipsbetween computer technology,human activity and society.

Her pathway into a tech career was unorthodox.

“Imagine someone in art school then moving to one of the leading science schools in Philadelph­ia and forging a lot of interestin­g relationsh­ips,” she said, reminiscin­g on her early years. “I’m definitely an outlier.”

Catching the research bug

After graduating from the University of the Arts in Philadelph­ia with a bachelor’s degree in illustrati­on, she worked as an artist.

Before long, she was designing highly technical illustrati­ons for science textbooks, creating graphics on stuttering and taste research at the University of Pennsylvan­ia. That work was formative because those were her first interactio­ns with scientists.

She officially caught the research bug and went back to school to earn her master’s degree in interactio­n design from CMU, then a nascent field.

In 1998, she began working as an innovator and project manager for former boutique qualitativ­e research firm E-Lab LLC, based in Chicago. Half of the staff there were designers and the rest were

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