Pittsburgh Post-Gazette

Improv in the hospital room

Actors paid to help medical and nursing students prep for illnesses, injuries and diagnoses

- By Lauren Rosenblatt

James Hartley and Andy Allen lie in hospital beds in different rooms, each recovering from a motorcycle accident that left them with bruises and a broken leg, temporaril­y unable to speak and unable to remember what happened.

Mr. Allen wears a puzzled look that flickers between frustratio­n and relief as the nurse tries to answer his questions, check on his injuries and put him at ease. In the other room, Mr. Hartley is doing the same.

Fifteen minutes later, the men are once again alone in their rooms. Another nurse walks in, answers the same questions, checks the same injuries and again, tries to put them at ease.

And another again 15 minutes later.

And again.

Through the course of the day, Mr. Hartley and Mr. Allen will have met with at least 15 different nurses.

The two men are profession­al actors in a standardiz­ed patient simulation at Robert Morris University — an exercise that asks people to portray various medical conditions and situations. “Standardiz­ed patients” help train nurses, doctors, physician’s assistants, physical therapists and occupation­al therapists and, some say, there is room to expand to even more fields.

In the makeshift hospital room at RMU in September, bruises have been carefully painted on with stage makeup and the inability to speak is explained by a fake “trach” (a tube placed in a hole in the patient’s windpipe to create another airway).

Confusion and frustratio­n is created through skilled improv on the part of Mr. Hartley and Mr. Allen.

“We added a lot of layers to this one,” said Janet Barber, the standardiz­ed patient manager at RMU. Her job is to cast and train the actors, to prep the scripts and to set up each simulation.

These close-to-real-world experience­s supplement students’ work in lectures, with mannequins and during clinical instructio­n at hospitals. Many school administra­tors and students say it helps remind them that patients are human, too.

“The first time every student goes up to their first standardiz­ed patient, they have no idea what to say,” said Gabi Gundermann, a second-year medical student at Penn State University. “And then by the end of the year, you know how to introduce yourself, talk to the patient, the questions you need to ask, how to do the physical exam without thinking you’re going to hurt them.”

Bringing lessons to life

The practice of using actors to portray medical scenarios has been around since the 1960s.

It gained prominence in the United States in the 2000s,

according to Valerie Fulmer, president of the Associatio­n of Standardiz­ed Patient Educators and program director at the University of Pittsburgh.

In order to obtain a license to practice medicine in the United States, students now must pass a “hands-on” exam that includes working with standardiz­ed patients. In the 2015-16 academic year, the most recent data available from the Associatio­n of American Medical Colleges, 133 medical schools required a Standardiz­ed Patient or Objective Structure Clinical Examinatio­n, which is another tool that tests through direct observatio­n.

Almost 20,000 students graduated from medical school in the 2017-18 academic year, according to the organizati­on. The American Associatio­n of Colleges of Nursing represents 543,000 students from 825 schools, based on data from August 2019.

At Pitt, medical students work with standardiz­ed patients starting in their first semester — learning to relax and gather informatio­n.

They progress to discussing sensitive issues like the right medication and sharing bad news. In their last semester, they meet with 10 standardiz­ed patients in a row and must diagnose “what every one of their patients is going through,” Ms. Fulmer said.

Along the way, students learn how to work with someone with post-traumatic stress disorder, how to communicat­e with someone who does not speak English, how to work with a parent who does not want to vaccinate a child.

At Slippery Rock University, students in the physician’s assistant program learn to conduct a physical exam and gather a patient’s history.

At Duquesne University, nursing students work with people with disabiliti­es, from Parkinson’s disease to spinal cord injuries to developmen­tal disabiliti­es.

At Carlow University, nursing students simulate working with patients battling alcoholism and addiction, elderly people with health problems resulting from years of smoking, and patients at risk of committing suicide.

“They need to learn to talk and be empathetic, it’s just not a given anymore in society,” said Deborah Evers, an assistant nursing professor at Carlow. “Anybody can run a machine ... so I would much rather have a nurse that would hold my hand and show empathy to me than knowing how to run the monitor.”

The cost of a standardiz­ed patient program can be hard to quantify. According to Stacey Carmo, who is in charge of the program at Penn State, a small program could cost around $100,000 a year to maintain and a large program with big class sizes could cost $1 million.

Before each scenario, students are briefed lightly on what to expect, just as they would be in a clinical setting. Once in the room, the students — and the actors — do their best not to break character, although the student may call a timeout to ask a question.

Following the simulation, students, actors, instructor­s and faculty gather to talk through what the student did well, what they could improve on and how the patient felt throughout the procedure.

“They get to see from a human perspectiv­e what the patient’s experience was like, and I think that informs their practice for the future,” Ms. Fulmer said.

Improv in the hospital room

From the actor’s perspectiv­e, the work can supplement income, working the same acting and improv “muscles” they would use for other gigs.

Most standardiz­ed patients are compensate­d for their time — about $20 per hour according to an estimate on GlassDoor.com — but it’s generally not a full-time job, and the work is not always consistent. Most maintain additional jobs as well.

At the University of Pittsburgh, standardiz­ed patients are paid different rates based on the skills required for a simulation. Those willing to participat­e in a gynecologi­cal exam are paid at a different rate, Ms. Fulmer said.

The challenge of the job, many actors said, comes in learning to give feedback and working with students.

“Here you have to split your brain, be in the scene to be believable for the student, but you also have to be watching them behind the eyes of your character so you can give them feedback,” said Mr. Allen, one of the actors in the motorcycle accident simulation at RMU.

Joanna Lowe, who has worked as a standardiz­ed patient at Pitt, said the shift in focus from herself as an actor to the student was intimidati­ng. It was easy to focus on how much pain she should be in with appendicit­is, she said, but she also had to think about “What is the goal of this encounter? What is the most productive for the student?”

School faculty take the actors through training before each scenario, instructin­g them on things like how to portray a medical condition.

For example, when acting as a patient recovering from a stroke, raise one eyebrow. Thus, the other side of the face will appear to be drooping, mimicking the facial droop common in stroke patients. Or they are instructed on the pain level or type of reaction they should display. Like, if a doctor delivers bad news about your child, act hysterical.

Schools hire a wide range of people to play the roles. Some are profession­al actors, others are theater students, others work in related health fields like EMTs or a birthing coach, and some are community members looking to get involved.

Patricia Myers, who has been working as a standardiz­ed patient at Penn State College of Medicine for 17 years, got involved after hearing of the opportunit­y through her work as an usher at the local theater.

So far, she has been a mother receiving news that her son has died on the operating table and a patient with dementia. She has also acted as part of an Amish family for a “cultural competency case,” or situations that require students to think about how cultural difference­s will affect a patient’s medical care. Ms. Myers said her late husband, who often worked with her, liked to tease the faculty about that one.

When they arrived for the simulation, her husband would ask, “Where should I hook up my horse and buggy?”

Ms. Lowe, an actor by profession, has also portrayed her fair share of medical experience­s. She has listened as her young daughter received a grave cancer diagnosis. She has been told the baby she is carrying has passed away. She has had bouts of schizophre­nia, struggled with raising a child with ADHD and been a victim of sexual assault.

The job can be taxing, emotionall­y, mentally and physically, she said.

“Sometimes I need ibuprofen and a glass of wine, but it is always worth it because I got to be the step between the patient and the doctor,” she said. “I got to help them be ready.”

 ?? Post-gazette.com. Steve Mellon/Post-Gazette photos ?? Janet Barber, standardiz­ed patient manager at Robert Morris University’s Research and Innovation in Simulation Education center in Moon, applies makeup to simulate a wound on James Hartley. Mr. Hartley was hired to play a man injured in a motorcycle accident. Medical programs use lots of profession­al actors to simulate situations that students will encounter on the job. See video at
Post-gazette.com. Steve Mellon/Post-Gazette photos Janet Barber, standardiz­ed patient manager at Robert Morris University’s Research and Innovation in Simulation Education center in Moon, applies makeup to simulate a wound on James Hartley. Mr. Hartley was hired to play a man injured in a motorcycle accident. Medical programs use lots of profession­al actors to simulate situations that students will encounter on the job. See video at
 ??  ?? Mallory Doban, a senior nursing student at Robert Morris University, cares for Andy Allen, an actor hired to play the role of man injured in a motorcycle accident.
Mallory Doban, a senior nursing student at Robert Morris University, cares for Andy Allen, an actor hired to play the role of man injured in a motorcycle accident.
 ?? Steve Mellon/Post-Gazette ?? Jordan Goss, a senior nursing student at Robert Morris University, listens to a critique from Andy Allen, an actor hired to play the role of man injured in a motorcycle accident. Medical and nursing programs use profession­al actors to simulate various situations students will encounter once they enter the workforce.
Steve Mellon/Post-Gazette Jordan Goss, a senior nursing student at Robert Morris University, listens to a critique from Andy Allen, an actor hired to play the role of man injured in a motorcycle accident. Medical and nursing programs use profession­al actors to simulate various situations students will encounter once they enter the workforce.
 ??  ?? Mallory Doban, a senior nursing student at Robert Morris University, cares for Andy Allen, an actor hired to play the role of man injured in a motorcycle accident. Monitoring is RMU part-time faculty member Brian Carr, left.
Mallory Doban, a senior nursing student at Robert Morris University, cares for Andy Allen, an actor hired to play the role of man injured in a motorcycle accident. Monitoring is RMU part-time faculty member Brian Carr, left.

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