Pittsburgh Post-Gazette

Star conquered Italy, Hollywood and the world

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ROME — Italian film legend Gina Lollobrigi­da, who achieved internatio­nal stardom during the 1950s and was dubbed “the most beautiful woman in the world” after the title of one of her movies, died in Rome on Monday, her agent said. She was 95.

The agent, Paola Comin, didn’t provide details. Ms. Lollobrigi­da had surgery in September to repair a thigh bone broken in a fall. She returned home and he said she had quickly resumed walking.

A drawn portrait of the diva graced a 1954 cover of Time magazine, which likened her to a “goddess” in an article about Italian movie-making. More than a half-century later, Ms. Lollobrigi­da still turned heads with her brown, curly hair and statuesque figure, and preferred to be called an actress instead of the gender-neutral term actor.

“Lollo,” as she was lovingly nicknamed by Italians, began making movies in Italy just after the end of World War II, as the country began to promote on the big screen a stereotypi­cal concept of Mediterran­ean beauty as buxom and brunette.

Besides “The World’s Most Beautiful Woman” in 1955, career highlights included Golden Globe-winner “Come September,” with Rock Hudson; “Trapeze;” “Beat the Devil,” a 1953 John Huston film starring Humphrey Bogart and Jennifer Jones; and “Buona Sera, Mrs. Campbell,” which won Ms. Lollobrigi­da Italy’s top movie award, a David di Donatello, as best actress in 1969.

In Italy, she worked with some of the country’s top directors following the war, including Mario Monicelli, Luigi Comencini, Pietro Germi and Vittorio De Sica.

Two of her more popular films at home were Comencini’s “Pane Amore e Fantasia” (“Bread, Love and Dreams”) in 1953, and the sequel a year later, “Pane Amore e Gelosia” (“Bread, Love and Jealousy”). Her male foil was Vittorio Gassman, one of Italy’s leading men on the screen.

Ms. Lollobrigi­da also was an accomplish­ed sculptor, painter and photograph­er, and eventually essentiall­y dropped film for the other arts. With her camera, she roamed the world from what was then the Soviet Union to Australia. In 1974, Fidel Castro hosted her as a guest in Cuba for 12 days as she worked on a photo reportage.

Ms. Lollobrigi­da was born on July 4, 1927, in Subiaco, a picturesqu­e hill town near Rome, where her father was a furniture maker. Ms. Lollobrigi­da began her career in beauty contests, posing for the covers of magazines and making brief appearance­s in minor films.

Eccentric mogul Howard Hughes eventually brought Ms. Lollobrigi­da to the United States, where she performed with some of Hollywood’s leading men of the 1950s and ’60s, including Frank Sinatra, Sean Connery, Burt Lancaster, Tony Curtis and Yul Brynner.

Over the years, her co-stars also included Europe’s most dashing male stars of the era, among them Louis Jourdan, Fernando Rey, Jean-Paul Belmondo, Jean-Louis Trintignan­t and Alec Guinness.

While Ms. Lollobrigi­da played some dramatic roles, her sex symbol image defined her career, and her most popular characters were in lightheart­ed comedies such as the “Bread, Love” trilogy.

With lush eyelashes and thick, brown curls framing her face, Ms. Lollobrigi­da started a hairstyle rage in the 1950s known as the “poodle cut.” Gossip columnists commented on alleged rivalries between her and Sophia Loren, another Italian film star celebrated for her beauty,

In middle age, Ms. Lollobrigi­da’s romance with a man 34 years her junior, Javier Rigau, from Barcelona, Spain, kept gossip pages buzzing for years.

Her first marriage, to Milko Skofic, a Yugoslavia-born doctor, ended in divorce in 1971.

Ms. Lollobrigi­da’s name more frequently appeared in articles by journalist­s covering Rome’s courts as legal battles were waged over whether she had the mental competence to tend to her finances.

 ?? Associated Press ?? Gina Lollobrigi­da in the 1950s.
Associated Press Gina Lollobrigi­da in the 1950s.

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